Berlusconi’s Minor-Scandal, Barenboim’s Cairo-Scandal, and Salzburg Festival

🙂 Italy-Belcanto > Barenboim and La Scala >
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JULY 7-?, 2009
DEAR CULTURAL MINISTER SANDRO BONDI,
DEAR EZIO MAURO, DIRETTORE DI REPUBBLICA,
DEAR BRUNO ERMOLLI, VICE CHAIRMAN OF LA SCALA,
And finally… DEAR MILAN MAYOR LETIZIA MORATTI, CHAIRMAN OF LA SCALA,

Please check
🙂 From Italy-Belcanto > Barenboim and La Scala
🙂 Milan Mayor Letizia Moratti Toward Milano Expo 2015
🙂 Members of Bashkirova-Gang (Need to work more… sic! 이 쓰레기 같은 년 놈들…)

STANDARD-Interview: “Dann sind wir also quitt” Jul 3, 2009 / By Der Standard, Austria
(…) Diese Kritiken sind keinesfalls berechtigt, und sie grenzen manchmal geradezu auch an Verleumdung. (…) Nein. Ich bin noch bis mindestens 2013 an der Mailänder Scala. Ich bin sehr gerne dort (…)

I was supposed to contact Austrian Government after finishing Spanish Part… because of this issue.

Please check
🙂 From The Art of Criticism > Dear-Journalists > Dear-Forumites
(Revised on February 18, 2008)
JIWON: (…) Perhaps, my insulting Barenboim’s Angels would rather evoke your sympathy and you would want to start supporting their future careers now and forever, as all the pros had been doing for last ten years. I don’t care. My only concern has been and will be talented youngsters, who want to join the professional world and should be trained in a right way after picking up something about MUSIC from Daniel Barenboim. Hence, I seriously recommend that you’d be more careful not to spoil young, naive spirits while supporting those b*tches. I promise. They will never give up. (…)

Please check the date. After THE DAY, those human trashes started appearing in their real name. What were their behaviors like? What had Waltraud Meier exactly done in Milan? And still… those Milan FOLKS haven’t realized what kind of human species they were facing… speechless.

WORKING… need to finish Spanish part first…

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JUNE 13 – JULY 1, 2009
DEAR CULTURAL MINISTER SANDRO BONDI,
DEAR EZIO MAURO, DIRETTORE DI REPUBBLICA,
DEAR BRUNO ERMOLLI, VICE CHAIRMAN OF LA SCALA,

Please check
🙂 From Italy-Belcanto > Barenboim and La Scala
🙂 Barenboim and Bruno Ermolli, Vice President of La Scala

Still, I can’t understand why Milan Mayor or La Scala’s Chairman/President, Ms. Letizia Moratti, doesn’t appear in any of La Scala articles except in ‘Maestro Abbado’s Trees’. Thus, I decide to include Mr. Bruno Ermolli, Vice Chairman of La Scala, in my mailing list. Hope there is no problem with Milan Mayor, since there is anyway NO way to send my message to the City of Milan. (How many times have I tried to find its contact information? Weird…)

ALSO…

I decide to include Mr. Ezio Mauro, the editor-in-chief of La Repubblica in my mailing list. As I wrote in my previous message, I am NOT good at memorizing people’s names, and simply, how many opposition leaders are working in Italy? I wanted to do my best and tried real hard. Then… No sooner had I memorized this name, Walter Veltroni, Partito Democratico (PD) was led by another name, Dario Franceschini. Yet, this political party still doesn’t honor its President. Then I realized too, while following Berlusconi’s Minor-Scandal, that he was not the only opposition leader. Jesus… this is beyond my ability.

Berlusconi Divorce Saga May Provide Relief to Struggling Media May 8, 2009 / By Bloomberg
The verdict is clear on the winner so far in the divorce battle between Italian Prime Minister Silvio Berlusconi and his wife: THE NEWS MEDIA

Silvio Berlusconi may address Parliament about Noemi Letizia May 24, 2009 / By Times Online
(…) Members of his inner circle said that Mr Berlusconi was depressed and angry about the publicity surrounding Ms Letizia and him, (…)

Ballarò, come non lo avete mai visto May 29, 2009 / By AgoraVox Italia ‎
Il primo argomento è lo “scandalo Noemi”. Parte subito all’attacco Ezio Mauro, direttore di Repubblica. Sandro Bondi non ci sta alle domande, a suo parere, indecenti e allusive, ribadendo che il rapporto tra Berlusconi e Noemi e’ “basato sulla purezza”. Risate in sala. (…)

Supporters Seek Nobel for Berlusconi. Really. Jun 4, 2009 / By New York Times

Italy’s Berlusconi remains popular May 26, 2009 / By CSMonitor
(…) “But this doesn’t affect much a leader’s career. As the saying goes, ‘A priest is a priest only when he is at the altar.’ What’s new is that for the first time, the gossip has completely overshadowed the political issues. I wonder why the opposition leader is attacking Berlusconi on this girl, rather than his disastrous economic and education policies,” says the historian. “The problem is that nobody, left or right, has any real policies to discuss anymore. If there’s one conclusion to draw from this story, it is that Italy lacks a serious political leadership.”

Dissection post-election gives Berlusconi the blues Jun 10, 2009 / By Financial Times
And yet, as even his supporters concede, Mr Berlusconi is not happy. (…) The prime minister appears no longer the absolute master of his coalition. This was already evident yesterday when he caved in to the demands of the Northern League, saying he was no longer supportive of a referendum that would change the electoral system in favour of individual parties rather than coalitions. Plans to change the constitution to enhance the powers of the prime minister are also in doubt thanks to pressure from the federalist Northern League. For that, many Italians, especially on the left, will be grateful.

Just out of curiosity…
Has Italian 81st prime minister dropped his proposal to promote presidential system? This is my only concern.

How many Italian beauties have I watched during this scandal? How many times have I looked in the mirror? Berlusconi: Left has uglier women (Apr 9, 2008) Blimey! Having realized my REAL identity again and again, I start feeling pity for ALL the politicians in the opposition parties, who just can’t beat Mr. Silvio Berlusconi no matter what.

I had to think.
Basically, all these and those comical stories are NONE of anyone’s business but PM Berlusconi’s family members. While reading several articles, my only problem with this Italian guy was ‘Berlusconi’s partying at the villa with various(?) girls’. Then, my another problem was that Italian Berlusconi never looked like American Playboy Hef and his villa didn’t remind me of ‘Playboy Mansion’. The most unique scene I’ve ever seen. What’s more, running this Italian Political Party, Il Popolo della Libertà (PdL), is not a piece of cake. First of all, Mr. Berlusconi is a businessman.

What does it mean?
All these and those stories simply tell me that this Italian guy is a man of insight/discrimination, and excels in handling his men, and knows how to put the right man in the right place. In fact, I’ve never seen more intuitive guy than this Italian.

Silvio Berlusconi’s Villa Certosa in Sardinia has its own volcano Jun 6, 2009 / By Times Online
(…) Lele Mora, Italy’s top talent scout and a longtime friend of Mr Berlusconi, told The Times that (…) “Power is attracted to power. Beautiful women like to be around important figures. Yes, Mr. Berlusconi loves sex and women — he wouldn’t be a man if he didn’t. But he can compliment women without wanting to have sex with them. He can give them advice on how to look good, suggest what to wear to heighten their bust, for example, without there being anything dirty about it. Ugly women, beautiful women. He is a man of the people, and he treats them all the same.”
(…) Ms Alloro also told The Times that Mr Berlusconi liked to advise girls on their appearance during their stay, suggesting that Mara Carfagna, a former topless model who became Equalities Minister, get a serious bob to “distance herself from the calendar girl stereotype”, and that another female member of his party, Michela Vittoria Brambilla, should cut her hair to “soften her profile”. Asked whether these were matters that should really be concerning the head of the Government, Ms Alloro said: “He is a very hard worker. I am only remarking upon his natural inclination towards order and coherence. I think they are both important talents that can also be used to govern a country.”

The most unique person I’ve ever seen…
My dearest Italian politicians, who are dying to spread rumors against Mr. Silvio,
Please raise your hands if you happen to disagree with me.
What if this guy diagnoses my case as hopeless… that even the plastic surgery won’t help me?
Hum… Berlusconi: Left has uglier women (Apr 9, 2008)

Please…
My only concern is Italian culture and Barenboim’s La Scala. As much as I work for the current Cultural Minister Sandro Bondi, I will support CM Bondi’s successor too. EZIO MAURO’S FOLKS just need to topple Silvio’s government in a proper way. Don’t you think so?

Who is more scandal-ridden figure? Silvio Berlusconi or Daniel Barenboim? Berlusconi’s Minor-Scandal happened during Barenboim’s Cairo-Scandal. Under the normal circumstances, I strictly choose to read all Silvio’s articles, but I needed to make a living… and above are all I picked up.

I am now curious… if this Italian Hot Shot No.1 used to consider our musicians brainless beggars. Even if he does, I have nothing to say. Please look around me…

Please check
🙂 From Italy-Belcanto > Barenboim and La Scala > Stephane Lissner and La Scala
🙂 Franz Xaver Ohnesorg, Gidon Kremer, Dmitri Bashkirov, and Dorit Beinisch (JIWON: This collection is not finished. I’ve been too tired to mention this sh*t.)
🙂 Lissner-Scandal: Roberto Alagna on Dec 10, 2006
🙂 Lissner-Scandal: Marcelo Alvarez on Nov 9, 2007
🙂 Lissner-Scandal: Giuseppe Filianoti on Dec 7, 2008
🙂 La Scala’s Lissner failed in Salzburg on May 19, 2009 (… after failing in Berlin…)

I am going to ‘simultaneously’ contact the Austrian government in regard to the SALZBURG FESTIVAL. Since I am going to report all the happenings at the La Scala on this issue, please let me know if there is something wrong with my behaviors. Whoever he is, I can NEVER accept anyone who wants to drive Barenboim’s La Scala into Self-Destruction for the benefit of his professional career only.

Please check
🙂 From Dear-Arab-Readers > Section: Egypt-Normalization > Barenboim’s First Visit to Egypt on April 16, 2009
🙂 Barenboim’s First Visit to Egypt: Part 1 Apr 13-15, 2009
🙂 Barenboim’s First Visit to Egypt: Part 2 Apr 17-20, 2009
🙂 Barenboim’s First Visit to Egypt: Part 3A Apr 20-28, 2009
🙂 Barenboim’s First Visit to Egypt: Part 3B Apr 30 – May 13, 2009
🙂 Barenboim’s First Visit to Egypt: Part 3C May 13-20, 2009
🙂 Barenboim’s First Visit to Egypt: Part 3D May 20 – Jun 3, 2009
🙂 Barenboim’s First Visit to Egypt: Part 3E Jun 3-8, 2009
🙂 There might be ONE more message… thanks to Bashkirova’s On-Going Story in Italy and those members’ trashy behaviors in Arab world while being busy at selling something-Barenboim… SIC!

It was not until couple of days ago that I start realizing what an important issue SALZBURG FESTIVAL has been among the Austrian politicians. THUS, I am going to inform them that La Scala’s Barenboim is not only FREE during the summer but also the entire Arab world is behind his directorship. Let’s just hope that those Austrian politicians have enough time to real all my reports, which originally started during Barenboim’s Cairo-Scandal. But then… it was none but Austrian politicians, who planned Barenboim’s Cairo-concert. Let’s just hope.

(Updated on JUNE 15, 2009)
http://ricerca.repubblica.it/repubblica?query=SCALA&view=archivio
Scala, gli orchestrali in strada Il governo uccide la cultura Jun 13, 2009 / By La Repubblica, Ilaria Carra

FINALLY, am I receiving an answer from the Left-wing politicians, who wanted to be called PEACE-ADVOCATORS, and therefore, actually tossed Daniel Barenboim into the poverty-stricken La Scala? Then what about this?

http://ricerca.repubblica.it/repubblica?query=BASHKIROVA&view=archivio

Quite information on Bashkirova’s Italian Tour… about WHO and WHY. How come all the Italian events, which were hungry for Barenboim’s international fame in the name of BIMBO, stink like this? Getting rotten and rotten… both politically and financially… What’s more, how come all Bashkirova’s Italian markets are under the control of Left-wing Politicians? Then… WHY… why all those behind-the-scene stories about PEACE or DIVAN or HUMANITY exactly sound like that of the Spanish Pigs?

🙂 From Section: Italy-Belcanto > JIWON: Dear Mr. Silvio No.1’s ALL friends and foes, (Music & Politics) (Feb 6 – 24, 2009)
JIWON: (…) Basically, when I had to meddle in Barenboim’s Spanish life, I never planned to criticize Spain’s pure intention to support Barenboim and Said’s pure friendship. But the result says what I see and what I hear. Just like what happened in Kippah-I & Kippah-II in my Knesset-blog, I only see Arab money pouring into Spain and I feel what I feel.
Spain has a dream of reviving the Golden Age when Jews and Muslims lived together?
Hum… I am searching for the better description than this proverb.
‘It is not the beard that makes the philosophers.’
Spain hits back at Berlusconi’s ‘too pink’ comment Apr 16, 2008
Spain must have been busy. Just one week later after my PINK mail hit Spanish First Lady, another musician, Silvio No. 1 or 2 or 3, tossed TOO PINK message to her husband. My problem is that I still didn’t get their DIRECT answer. (…)

Did you collaborate with those Spanish Pigs this time too… and didn’t mind downgrading Italy’s image?
Silvio Berlusconi ‘to sue’ after Spain’s El Pais publishes naked party photographs (Jun 5, 2009)
Just out of curiosity…

I have a perfect right to suspect… because… Please look.
YOUR BIMBO-STORY IS STILL ON-GOING. We’ll see…
IT WILL BE THE BEST OPPORTUNITY TO CHECK YOUR REAL INTENTION.
Was it to kick Barenboim out of your Italy after sucking all his bloods to survive during this financial crisis?

http://www.musicainsiemebologna.it/
Bashkirova’s Bologna concert – Fondazione Musica Insieme and its Artistic Director, Bruno Borsari – Jerusalem Chamber Music Festival – Jewish Concertmaster of Rattle’s BPO, who is behind WEDO 2009 in Spain – La Scala’s Lissner’s Salzburg project and so on and so on…

http://www.lingottomusica.it/default.asp
Bashkirova’s Turin concert – Lingotto Musica and its Artistic Director, Francesca Camerana – La Scala’s Lissner’s most favorite toy, Daniel Harding and Mahler Chamber Orchestra – Waltraud Meier – La Scala’s Lissner’s Salzburg project and so on and so on…

Tante stelle da Harding a Barenboim E Claudio Abbado concede il bis. May 28, 2008 / By La Repubblica, Torino
Oggi Harding è uno dei direttori più apprezzati al mondo, lo dimostra il successo che sta avendo in questi giorni alla Scala.

NOW, I KNOW… which Italian politician wanted to support this B*tch and which politicians were NOT involved in this decaying cultural scene. Finally, I woke up from the months-long nightmare, in which I tried to stab Milan mayor to death. I thought she was all behind these sickening events after enjoying Bashkirova’s ‘planned’ gathering in Africa, because this B*tch’s foremost concern in recent years was to collect female victims and to take advantage of my personality.

See… GENOVA and TORINO were originally Bashkirova’s headquarters, which used to support DORIT BEINISCH’S JERUSALEM FESTIVAL. Anyway, my only concern is their behaviors after receiving my Barenboim-message. Just like La Stampa, La Repubblica will have to pay for it. We’ll see.

Genova: Teatro Carlo Felice and its LOCAL orchestra
Torino: Lingotto Musica
Bologna: Teatro Comunale di Bologna and Fondazione Musica Insieme

DEAR SILVIO’S GOVERNMENT,
DEAR CULTURAL MINISTER SANDRO BONDI,

Could you please check all the cultural scenes in these beautiful Italian cities? Don’t they look like Millionaire’s Utopia? I promise. Those cultural organizations need NO financial aids from the government. Don’t they know ALL Bashkirova’s supporters come to her headquarters for NOTHING, and it is purely because they advocate MUSIC in the name of PEACE or NOBEL-PRIZE in the name of MUSIC? And Zapatero’s Spanish Government is still willing to offer enough fund to support those FOLKS’ luxurious international tour.

(Update on JUNE 16, 2009)
I FEEL NUMB. I FEEL NOTHING.

The first information I picked up when I started my research on La Scala’s Lissner was his friendship with Pierre Boulez, and therefore, I never suspected his artistic quality and personality. All my Barenboim-projects at the La Scala were purely based on his contract with the Italian politicians. It was only after I found this dirtiest Eurotrash, Gidon Kremer, Dmitri Bashkirov & Dorit Beinisch’s Franz Xaver Ohnesorg, from his Italian Life that I started my suspect. Now, I feel like going back to my Korean story, in which my late Korean teacher ordered me to investigate ALL the names behind the PLOT to get rid of me and I finally found out that he was the one who was behind ALL the names. What do I do now?

http://www.google.com/search?hl=en&q=LA+SCALA+2010
Comment 1 on May 26, 2009: Looks like La Scala’s singer budget is running low. There is only a handful of famous singers that I’d be willing to pay to see. Boring opera, boring singers. Sorry, but this new season is just fluff.
Comment 2 on May 28, 2009: I don’t think it’s such a great season. La Scala has fallen prey to those who have brought its level to the level of every other opera house. La Scala once excelled in the Italian repertoire and any foray outside of that was done with the utmost delicacy and with only the highest artistic content possible. Now you can go to Munich, Zurich etc etc for less money and see the same, if not better, things.
Comment 3 on May 28, 2009: Well, far be it for us to claim superiority for La Scala over Munich and Zurich (which, on balance seem to have the best seasons next season – superior to the Met, Vienna, CG, Paris and the like, in our opinion) and perhaps those who feel it should aspire to such superiority have little enough to get excited about. Still, on its own merits the program seems quite excellent, and as we say above, well worth attending if one is in the vicinity.
Comment 4 on May 26, 2009: The recital list is very uninspiring. It’s just a vague collection of uninteresting singers. Filarmonica invites some of the best conductors around, but the works are so predictable and boring.
Comment 5 on May 19, 2009: I weep for that recital season. Angela Denoke? Waltraud Meier?? Is it that Scala can’t afford the big hitters anymore? Or no one wants to deal with them? Even the Minnesota Schubert Club can lure a better rotation.
Comment 6 on May 19, 2009: Waltraud Meier is La Scala’s lapdog and sleeps at Barenboim’s feet.
(JIWON: Please don’t forget that Zubin Mehta’s Italian FOLKS are real busy at working in ALL Barenboim’s Fora in these days… So, I need to be very careful while searching for the commenters. And I only pick up the reasonable criticism and ‘study’ their items, including their favorite VOICES, before posting them in my blog.)

Alla Scala vincono le passioni forti May 27, 2009 / By Il Secolo XIX
(…) Lissner wanted to remember how, on arrival in Milan, had said that it would take five years to launch a season really “HIS.” Now the time has arrived and the next season will see the great names of directors, directors, singers, who, with a long work on programming, Lissner was able to bring in Milan. (…)

La Scala to open next season with “Carmen” May 26, 2009 / By Reuters
(…) “This is the season closest to my idea of La Scala, a turnaround season that consolidates the goals that have been already partly net,” such as an increase in the number of performances, La Scala General Manager Stephane Lissner told a news conference. However, Vice Chairman Bruno Ermolli warned that La Scala faced red ink next season and possible program cuts if the government failed to confirm financing for it and other theaters. La Scala relies on government funding but has ended four straight seasons in the black. (…)

True that there are still on-going stories about Muti-Battle all over the Italy and especially in Milan. However… don’t you think Muti’s Italian Fan posted Comment 2? I am NOT an opera expert, but am I insane if I support this comment, ‘LA SCALA ONCE EXCELLED IN THE ITALIAN REPERTOIRE’?

This statement was exactly what I wanted to see from Barenboim’s La Scala, which should exist to preserve the Italian golden tradition, BEL-CANTO, and then rediscover German golden tradition based on this, HELDENTENOR. Basically, La Scala is La Scala… whoever takes it over, and La Scala will remain as La Scala. However, I was so sick of EVERYTHING-Barenboim that I wanted to make sure this simple fact that Barenboim’s Wagner should be based on the Orthodox Vocal Techniques/Tradition, which means La Scala. This is how I created these two sections in my blog; Italy-Belcanto & Germany-Heldentenor.

🙂 From Italy-Belcanto > Barenboim and La Scala > Stephane Lissner and La Scala
🙂 Lissner-Scandal: Roberto Alagna on Dec 10, 2006
🙂 Lissner-Scandal: Marcelo Alvarez on Nov 9, 2007
🙂 Lissner-Scandal: Giuseppe Filianoti on Dec 7, 2008

🙂 From Italy-Belcanto > Barenboim and La Scala > Stephane Lissner and La Scala
Stéphane Lissner’s Interview: “I grandi cantanti disertano la Scala. Temono i fischi” May 2, 2009 / By La Stampa
[Stampa] But in the rest of the world standard is given …
[Lissner] “The truth is that many singers do not want to come to La Scala because they are afraid of being booed.”
[Stampa] In return, you fight with all the levels: Alagna, Alvarez, Filianoti …
[Lissner] “But then I make peace. Alvarez returns in 2011/2012. Filianoti waived all’Idomeneo this year, but it is a choice, not of the scale. In fact, he sang in our Messa da Requiem on tour in Berlin.”
(JIWON: Who made Filianoti’s Berlin performance possible???)

Apre «Carmen» Abbado sul podio dopo 24 anni May 26, 2009 / By Il Giornale
(…) Why artists should be requested well in advance, “they want to be sure to work with colleagues estimate that,” says Superintendent pulling the ball into the sound reasons of ethics and sentiment. Those same artists also fly in the desert Abu Dhabi and Doha catalyzed dunes of petrodollars. (…)

ABU DHABI and DOHA?
This is another reason why I have to make ONE more message to the Arab World, because I only find
Bashkirova’s Poops and Pees trying to fly to those luxurious places and use Barenboim’s Arab fames to feed their professional career.

First of all, I want La Scala’s Lissner to give me a full list of musicians, who refused to come to the La Scala. I don’t want to be mean. To criticize something, there should be enough reason.

To cite a simple example,
FOLKS are talking about Barenboim’s Jonas Kaufmann, who has a huge room to improve more and more. They are already talking about his recital. Have you found his busy schedule to perform for the Arab Royal families? (So… is he going to rush to Bashkirova’s Jerusalem Festival after reading this?)

Then what about Matthias Goerne?
The starting point of this German singer was not small. Yet, this musician has been making a constant improvement in a real German way. Nowadays, it’s a great pleasure to listen to his ‘worshiping’ German Air through Music. Life is too short and there is no time to think of his German diction. I just know that this German singer is an open-minded guy. How do I know? I heard him respecting and following Barenboim’s singer, whose outlook is neither beauty nor sexy and whose voice is inferior to his.

Is he afraid of La Scala audience?
Please check his performance schedule. I had to click all the links in his homepage, (from Jan 2009 to Dec 2014 or Apr 2010), to check if he prefers luxurious Abu Dabi or Doha performance. Is he following fame? This musician can perform with ANY maestros but Conductor/Pianist Barenboim. I never know why. Perhaps, we should ask Elena Bashkirova or Waltraud Meier or their perfect ensemble partners, who used to rule ALL the commercial markets in Barenboim’s world with that disgusting interpretation of German Lieder. Their numbers are plural, by the way, and I desperately wish those Berlin Pigs to STOP recording their performance of this lovely music, since the radio can’t ignore those commercial recordings and I have to turn to the pop channel. (Is he going to join ‘Bashkirova & Co.’ after reading this?)

http://www.matthiasgoerne.de/
Suche nach “barenboim”: KEINE Ergebnisse gefunden.
Oct 30 – Nov 6, 2009 in Roma: Teatro dell’Opera / Richard Wagner: Tannhäuser (role of Wolfram)
Nov 22-30, 2009 in Firenze: Teatro della Pergola / Franz Schubert: Lieder
Nov 24, 2009 in Milano: Franz Schubert: Lieder

New York Philharmonic Names NEW Chairman Jun 11, 2009 / By New York Times
(…) He also takes over at a time of money troubles across the performing arts. While the New York Philharmonic is relatively healthy, compared with other musical institutions, it is still facing financial pressures, including a $3 million deficit this year and at least that next year, said Zarin Mehta, the orchestra’s president and executive director. Management has said players could face salary cuts, changes in health care coverage and cost reductions, Mr. Mehta said. “We’ve got to find solutions and we’re working on them,” he added.

La Scala may be the extreme case.
However… no matter what happens in Italy, this is not the only cultural institution, which suffers from financial pressure. While German media were doing their usual trashy business to hide all the rotten behind-the-scenes stories, American media kept reporting how many musicians are asked to cut their performance-fees or which opera/orchestra company is cutting their budget and so on and so on… I was following this… in order to warn Barenboim, Mr. Megalomaniac Generosity, who never knows how to lead untalented youngsters, aka DIVANS, in a better/right way.

Then, only those professional EGOS refuse to cut their performance-fees at the La Scala?

Meanwhile, I DO remember Lissner-Scandal: Roberto Alagna on Dec 10, 2006 very well. Though I need more time to finish this collection… and unlike other cases, which are accidentally invited into my blog for quite unhappy reasons, I was following this scandal and very interested in its aftermath.

By then, Zarin Mehta’s New York Philharmonic was playing the game with me, and I also found Barenboim-Fan’s La Scala comment, so I started growing my interest in the managing department. By then, I was so sick of Barenboim’s SOLOISTS and VOICES, which numbers hardly exceed more than 3 or 5, most of which are Jewish Pigs or Waltraud Meier of course, that I was thinking to dig ALL the talented youngsters to decorate Barenboim’s performance schedule. I was also thinking the best way to ‘protect’ professional egos of the real musicians from all those f*cking stage directors or managers, whose favorite musicians are Waltraud Meier or Zubin Mehta’s protégés, who never know what means sensitive physical condition and therefore are able to beat all the real musicians’ hard working.

By then, I just couldn’t understand why this singer was banned and kicked out of La Scala instead of being provided with a good chance to DEBATE or FIGHT with his Loggioni in open places. Is there more valuable academic or even commercial stuff than this event?

Curiously, the more I search for information about SINGER’S SCANDAL AT LA SCALA, their relationship with Lissner appeared more problematic than their hatred of Loggioni did. Am I wrong?

http://www.waltraud-meier.com/html/e/frame_e.html
Meier’s performance schedule, which is suddenly full with the supports of La Scala’s Lissner’s toy conductors and WEDO’s Jewish Spanish Conductor. Only Zubin Mehta’s protégé, who used to develop his performance career under Barenboim’s wing, cancelled his Meier concert.

🙂 From Italy-Belcanto > Barenboim and La Scala > Stephane Lissner and La Scala
Stéphane Lissner’s Interview: “I grandi cantanti disertano la Scala. Temono i fischi” May 2, 2009 / By La Stampa
[Stampa] Monsieur Lissner, the show that made her most proud of?
[Lissner] “Precisely the Tristan.”

🙂 From Dear-Arab-Readers > Section: Egypt-Normalization > Barenboim’s First Visit to Egypt on April 16, 2009
🙂 Barenboim’s First Visit to Egypt: Part 3D
🙂 Barenboim’s First Visit to Egypt: Part 3E
JIWON: My report on Waltraud Meier, Spanish WEDO, Rattle’s BPO, La Scala’s Lissner and Lissner’s Salzburg Festival started appearing…
(Updated on May 26, 2009)
(…) This is how those ANGELS encouraged my computer work. Already now… who is the real owner of La Scala? Daniel Barenboim should not be the one, because what they needed from my computer work was NEW Italian market and their headquarter should remain in Berlin, where I will never accept anything Matthias Glander and this disgusting clarinet sound.
When Elena Bashkirova announced her Jerusalem members’ worldwide tour, Paris concert with Lissner’s toy conductor’s orchestra, and Italian tour schedule under the name of Daniel Barenboim, this female pianist wanted me to find all the information and was sure of her VICTORY both in MILAN and BERLIN… UNTIL… (…)
(Updated on JUNE 8, 2009)
DID THEY GIVE UP… OR JUST LOOKING FOR ANOTHER COLLABORATOR? (…)

🙂 From The Art of Criticism > Voice
🙂 Barenboim: Deborah Voigt
JUNE 9-10, 2009
JIWON: (…) Finally, she looks fantastic. There is still something wrong with her standing posture, though. (…) La Scala (…) How come Waltraud Meier dares to plan this recital? No wonder… Very interesting to check the date of Lissner’s announcement: May 19, 2009 (or couple of days before), on which La Scala’s Lissner was supposed to rein Salzburg in the name of Eva Wagner-Pasquier and Waltraud Meier, who sleeps at Barenboim’s feet… according to the forumite’s comment. Lissner failed, though. Who was first, by the way? Eva Wagner-Pasquier or Waltraud Meier or BOTH? This is my only concern…
Of course, Waltraud Meier will be welcomed with Elena Bashkirova and those golden couple should appear in NUDE. However, I believe it was to prepare Meier’s Wagnerian role at La Scala. So is Angela Denoke. (After checking Youtube, I now realize why this German voice was OK to sing with Bashkirova and ran to Jerusalem Festival. I now know how to understand blogger’s questionable comments. Though never planned to accept her in my world, I used to think that this was an innocent victim. Now, I feel no need to sorry for this German diction. I am pretty sure what kind of self-admiration she used to enjoy in Meier’s Unter den Linden, where Barenboim can find Meier’s copycats or foreign dictions only. Did she learn this vocal technique and cheap acting in Cabaret? A perfect singing in a Beer hall. Anyway…)
(…) I’m now curious if this is why Waltraud Meier was dismissed in Munchen and decided to suck all Barenboim’s bloods in Berlin and then Milan in the name of D-I-V-A-N… I can’t help thinking this whenever I read commenters, who travel Europe and compare the quality of opera houses. Whenever there is a shadow of Waltraud Meier, the entire stage looks noisy, unorganized, untrained, ugly, messy…
(…) After realizing everything… I just couldn’t understand. How come no one was talking about this? I am not an opera expert while you and all the commenters are. They attend all kinds of operas as frequently as possible. Among them, there are more accurate ears than I. I just can’t understand. Had they talked about this problem just a little bit, I could have started my research earlier. I just felt no need to listen to her until couple of days ago.
It’s terrific to find productive comments on La Scala. Then, it would be more terrific if those sensitive ears recommend specific singers, whose Milan performance Barenboim could greet with his whole heart and support their talent with his whole brain. Still, I know nothing about opera and its singers. By the way, this vocal and physical training is venerable to attacks from (swine) flu. Need to be very careful. (…)

La Scala’s Lissner says WHAT? The most PROUD Tristan?

It was after I contacted Lissner’s La Scala and Silvio’s Government with detailed reports on EVERYTHING about Waltraud Meier, including her Spanish interview, in which she insulted her Italian public, that Meier re-entered Barenboim’s La Scala with her NEW ensemble partners, who work for Meier’s VOICE only. Not only this German whore was waiting for me to insult Barenboim more and more, it was also the most inferior Tristan in Wagnerian history. Please raise your hand if you ever heard of Tristan from the balcony.

IN SUM,
Which statement is better?

http://www.google.com/search?hl=en&q=LA+SCALA+2010
Comment 6 on May 19, 2009: Waltraud Meier is La Scala’s lapdog and sleeps at Barenboim’s feet.

http://www.google.com/search?hl=en&q=LA+SCALA+2010
Comment 6 on May 19, 2009: Waltraud Meier is La Scala’s lapdog and sleeps at Lissner’s feet.

Politics and Corruption exist everywhere.
While searching for information on La Scala, the first thing I learned from private bloggers was that this is a place notorious for the Singer’s stinky relationship with Power-holders. I’ve been wondering… how come this BEL-CANTO tradition disappeared even at the La Scala? Was it after Maestro Muti’s departure? Or Maestro Abbado’s departure? Since I am NOT an opera expert, someone should answer my curiosity.

However… no matter what happened at the La Scala, have you ever seen more disgusting scene than Waltraud Meier’s La Scala? This Sh*t was able to achieve EVERYTHING even after she insulted German opera house and Italian public in her Spanish interview, which ALL the possible bloggers or Barenboim-Fans in the world of Internet read ALOUD. Being sure of her VICTORY at Lissner’s Salzburg, this trashy mouth boasted her BIGGER mouth in Spain again… about her ‘MATURE VOICE’.

After checking all my reports, please check the reports from Austria again.
Do you think they are lying or blind and deaf with jealousy?
This French Guy even said that he is available even before the end of his La Scala contract. What does it mean?
Then what about a mere opera lover’s casual comment? I myself realized its real meaning after collecting all the stuffs to write this message. Jesus…

🙂 From Italy-Belcanto > Barenboim and La Scala > Stephane Lissner and La Scala
🙂 La Scala’s Lissner failed in Salzburg on May 19, 2009 (… after failing in Berlin…)
NEWS EXKLUSIV und aus aktuellem Anlass vorab: Krimi um die Festspiel-Intendanz May 19, 2009 / By NEWS.at
(…) Dass sich Lissner auf dem Dreiervorschlag durchsetzte, ist ein Mirakel. Kaum begann sein Name umzugehen, meldete sich Widerspruch in allen Medien des Landes. (…) Der Protest wuchs sich nach Bekanntwerden des Dreiervorschlags zum Orkan aus. In der Tat zeichnet sich Lissner vor allem durch Vielfachverwertung seiner Produktionen aus. Seine Mailänder Intendanz ist durch Chaos und versenktes Kernrepertoire gekennzeichnet, die Musiksparte der Festwochen zur Nichtigkeit verkommen. Beim Hearing soll Lissner Seltsames verlautbart haben: Wiewohl der deutschen Sprache nur bescheiden mächtig, wäre er willens, das Schauspiel mit zu übernehmen. Die Intendanz der Mailänder Scala – immerhin eines der führenden Häuser der Welt – werde er gern ein Jahr vor Vertragsende aufgeben, um 2012 in Salzburg antreten zu können. (…)

Opernvisionäre sehen anders aus May 17, 2009 / By Sueddeutsche.de
(…) Der 56-jährige Stéphane Lissner hatte seine beste Zeit als Chef des Pariser Châtelet von 1988 bis 1998, das unter ihm das sehr viel interessantere Programm bot als die Opéra. Aber schon in Aix-en-Provence und erst recht jetzt an der Scala wirkt seine Planung allzu stromlinienförmig und zweckoptimistisch. (…)

Bringt uns gleich den Poeten selbst! ‎May 3, 2009‎ / By WILHELM SINKOVICZ, DiePress.com
(…) Welches Orchester wird dabei aufspielen? Wer dreimal rät, fehlt dreimal: Engagiert wurden nicht die Philharmoniker, nicht die Symphoniker, auch nicht das für diese Musik prädestinierte RSO. sondern das Gustav Mahler Chamber Orchestra. So viel zur Besinnung auf die musikalischen Ressourcen im Land. Wenn man schon den Anspruch auf musikalische Spitzenqualität verloren gibt könnte man am Gardasee gleich die Frage aufwerfen, ob André Heller nicht selbst Lust hätte, Festspiel-Intendant zu werden. Singulär waren sein Projekte immer, und jedenfalls auffälliger als die Herrn Lissners. (…)

http://www.google.com/search?hl=en&q=SCALA+BARENBOIM+LISSNER Apr 6, 2009
“The Music Director Post? Barenboim Does Not Want It”
In an impressively self-congratulatory interview with yesterday’s Il Sole 24 Ore, Scala General Manager Stéphane Lissner among other things explained how the Music Director post — la Scala is MD – less since Riccardo Muti was effectively fired by the orchestra in early 2005 — has been turned down by Daniel Barenboim and “at this point — Lissner says — we are OK with this”.
(…) This obviously makes Lissner way more powerful — Barenboim is away most of the time and has little to do with artistic choices except for his own limited commitments, so this leaves all the power in Lissner’s hands; there is no power-sharing agreement between him and a MD and he doesn’t simply have the time to start a beef with the orchestra even if he wanted to — and this makes the the orchestra very very very happy. Barenboim is like the rich uncle who flies in a few times a year, does his job, then leaves and everybody’s happy — happy that he came, happy that he’s leaving; the orchestra is basically allowed to run itself, between guest conductors who don’t really have the juice to make their voices heard (a famous, quite recent case is the one of the conductor whose first performance was badly received, he blamed the orchestra during rehearsals for slacking through the night — he might not be a new Karajan but they did indeed play badly — and he was immediately marked as persona non grata by the orchestra; the maestro is not set to appear again at la Scala in the foreseeable future; another cranky conductor, after using a bit more stick than carrot during rehearsals was “warned” by some professori in the orchestra that his behavior could damage his chances of coming back to the theater in the future. Basically, the orchestra has veto power over who will lead them, period; the absence of a Music Director gives them even more latitude).
Power abhors a vacuum even in opera houses — the absence of a Music Director leaves so much more power free to be taken — and used — by the GM and orchestra. (…)

NOW, I KNOW…
La Scala’s Lissner wanted ME to find THIS.
Though I was too tired to find it by then, it was right before Barenboim’s Cairo-Scandal and I was busy at contacting Silvio’s Government on this issue. I am the one who read ALL Barenboim’s interviews. When and where have I found this kind of stuff especially since my contact of Silvio’s Government?

Of course, it will be terrific if Daniel Barenboim interviews TOMORROW and explains that he NEVER wants La Scala.

(Updated on JUNE 17, 2009)
NOTHING from Daniel Barenboim?
Then what about this?

La Scala Season 2009 – 2010: Invitation to La Scala
Apr 19, 2010: F. Meloni, M. Barenboim, M. Rizzi, D. Rossi, A. Persichilli
(Mozart & Brahms: for clarinet and string quartet)
Fabrizio Meloni: La Scala’s Clarinet or Dmitri Bashkirov’s Pianist’s Ensemble Partner
Michael Barenboim: Elena Bashkirova’s Poop
Marco Rizzi: Dmitri Bashkirov’s violin in Spain
Danilo Rossi: La Scala’s Viola
Alfredo Persichilli: La Scala’s Cello

http://www.youtube.com/results?search_type=&search_query=SCALA+PHILHARMONIC
http://www.youtube.com/results?search_type=&search_query=FILARMONICA+SCALA

Finally, I found out from the Youtube. Hum… How come there are only selective maestros appearing in this Milan scene? However… I am surprised at some musicians, woodwind and brasses in particular. They are much better than my expectation. Their native talent should NOT be spoiled by anyone, whoever he is… I need to analyze more to write something, because I used to be somewhat pessimistic about its performance quality after checking concertgoers’ comments. I promise… whatever I write, its horn section will be the first one who welcomes my open analysis or warning or encouraging.

http://www.google.com/search?hl=en&q=BASHKIROVA+MICHAEL+INTERVIEW
1. June 5, 2009: [Media] Warum lernt der Sohn zweier Pianisten Geige? [MB] Ich war damals mit sieben Jahren zu jung um das selbst zu entscheiden. Ich glaube meine Eltern haben keinen guten Klavierlehrer für mich gefunden.
2. June 11, 2009: Und was die Entwicklung des Divan Orchestra angeht, sind sich beide einig. “Der Standard ist immer höher geworden”, sagt Michael Barenboim. Und X fügt hinzu: “Es ist längst ein professioneller Standard.” Barenboim spricht von einer Familie – und auch vom Divan Netzwerk. Denn das Orchester ist natürlich auch ein Karrieresprungbrett für junge Musiker aus dem Nahen Osten geworden.
3. June 11, 2009: Genau genommen ist Michael Barenboim instrumental ein wenig aus der Art geschlagen. Die Mutter Elena Bashkirova ist Pianistin, deren Vater einer der großen Klavierpädagogen.
4. June 11, 2009: Michael Barenboim möchte sich auf keinen Namen (Lieblingskomponisten) festlegen. Aber er mag Musik des 20. Jahrhunderts. “Die Musik ist einfach schön”, sagt er: “Sie ist sinnvoll und sie ist reizvoll.” Am Sonntag spielt er Alban Bergs Kammerkonzert von 1924/25 für Klavier und Violine.

Frequently Asked Questions:
Q-1: Who looks greedier? Who looks more ugly dirtier?
A-1: Sometimes Elena Bashkirova, sometimes Dmitri Bashkirov… up to the situation. OR BOTH.
Q-2: Who is more talkative?
A-2: Sometimes Elena Bashkirova, sometimes Dmitri Bashkirov… up to the situation. OR BOTH.
Q-3: How come ‘Father & Daughter’ Bashkirov, who are hungry for teaching ALL the youngsters around Barenboim, didn’t know how to teach their own kid?
A-3: Only Elena Bashkirova knows it… since naive-Barenboim already interviewed how Bashkirov Family destroyed his first son’s MUSIC-education.
Q-4: What is a characteristic of Pedagogue Bashkirov Family?
A-4: First, they collect ALL the already-famed(!) youngsters around Barenboim, including competition winners. Then, they talk, talk and talk about how to imitate Barenboim-Plus-Alpha only to destroy their whatsoever native talents.
Q-5: What is the result of their teaching?
A-5: Technically aggressive life supported by hysterical or the cheapest touch… with ugly or NO timbre on the piano. However… they are still safe unless they join Bashkirova’s Jerusalem Chamber Music Festival in order to play with Elena Bashkriova.
Q-6: How come Dmitri Bashkirov’s grandson’s favorite is contemporary music while his favorite is ‘poetic(?)’ Schubert or ‘mystical(?)’ Scriabin and his daughter’s favorite is ‘romantic(?)’ Schumann?
A-6: A typical case, in which their kids failed to taste real meaning of ‘poetic(!)’ or ‘mystical(!)’ or ‘romantic(!)’ classical music. After mastering the dirtiest Mudblood-like sound on his instrument, studying the contemporary repertoire is the only way to survive.

🙂 From Italy-Belcanto > Barenboim and La Scala > Stephane Lissner and La Scala
🙂 Franz Xaver Ohnesorg, Gidon Kremer, Dmitri Bashkirov, and Dorit Beinisch (JIWON: This collection is not finished. I’ve been too tired to mention this sh*t.)
June 14, 2009: Participants in Ohnesorg Festival
1. Bashkirova’s WEDO members: No need to introduce… BTW, why FOLKS now try to hide information on their identity?
2. Half-Egyptian Contrabass, who has never been in Egypt: His sound is the most characteristics of Zubin Mehta’s ‘legendary’ recordings ‘destroying’ ALL the ‘legendary’ voices, and therefore, was able to win the Munchen Competition as a brilliant SOLOIST, and therefore, never knows Orchestra performance, and therefore, was quickly dismissed or resigned from Rattle’s BPO after my open analysis. (Please check Section: Italy-Belcanto > JIWON: I can’t help writing… (Tristan/Scala-2007, German Sound, Wagner and Belcanto))
3. Staatskapelle’s Viola, whose Arab-nationality is unknown but married to anonymous Syrian: She has a perfect timbre(?) to match Waltraud Meier’s dirty VOICE. No one knows if she learned this from her Berlin professor, Glander’s Schwarz, or she was born with it. She now wants to be called Russian? Most Russian strings sound purer than this one. This is how they survived despite Maestro Mravinsky’s hatred of wind-and-brass.
4. Jewish Cello-Sh*t, who’s stolen du Pre’s instrument: Still, NO hint of du Pre’s interpretation from this ‘serious(?)’ face. With this same-music, his hilarious face with Elena Bashkriova was better. Had this sh*t interviewed like this, I would have never dared to insult him like this. “I want to play like Jewish Cellist-X, and feel sorry for du Pre’s instrument. I can’t live without my favorite oily sound and romantic(?) interpretation.”
5. Michael Barenboim: What do you expect more? Altogether, they share the same color, (I mean NO color), the same timbre(?)… and Pianist Barenboim knows how to follow this whenever he forgets his father’s teaching. Which exactly took du Pre’s life from her instrument. This is what Enrique Barenboim predicted when he worried about his son. BTW, this ‘Trout-Quintet’ in Jerusalem Festival was originally Bashkirova’s idea to steal everything from British du Pre, who is still missed in Barenboim’s Jerusalem… but… it’s been years since I sneaked into all Barenboim’s fora, and how come I’ve never found the exact analysis of du Pre’s ‘Trout-Quintet’, in which Mehta knows nothing and Zukerman listens to du Pre only during her melody and kept destroying the ensemble and Barenboim is anyway happy and only Perlman sincerely and joyfully follows everything du Pre?

🙂 From Dear-Arab-Readers > Section: Egypt-Normalization > Barenboim’s First Visit to Egypt on April 16, 2009
🙂 Barenboim’s First Visit to Egypt: Part 3E
JIWON: I am done with this boy, of course, (please check Barenboim’s First Visit to Egypt: Part 3C), but at the same time, I can NEVER allow MICHAEL BARENBOIM to reborn a LEADER of ‘Garbage & Sh*ts’. If he wants his name to support Bashkirova’s Jerusalem Festival or any other music business run by Spanish WEDO members, he should appear in his original name, MICHAEL BASHKIROV. THEREFORE, (…)

I never want to cross the red line on this issue. I also don’t expect this sh*t to contribute to his father’s professional life. I only wish this poor boy to find his own life in his favorite way and to live the happiest life wherever he goes. However… does he now want to join his father’s professional career in this way and destroy everything?

Is this La Scala concert Matthias Glander’s grand project through Lissner? This Berlin Clarinet has not been a normal sh*t. When he hurried to join Bashkirova and was thirsty for training Barenboim’s son in his political way, there was a reason. And this is exactly what he wanted to see from Barenboim. I can openly write this, because part of FOLKS disconnected themselves from this Circle when they had their own kids to train. For this reason, those sh*ts are the most disgusting human trashes I’ve ever known… IF… if they ever have their own kids and are training them in a certain way…

(Updated on JUNE 18, 2009)
http://www.youtube.com/results?search_type=&search_query=Fabrizio+Meloni

Sorry about this. HOWEVER… as I wrote in the very first message in my MUSIC-blog, The Art of Criticism, I have a life-long story with this instrument, CLARINET, which used to be my most favorite until I joined the professional orchestra. And now, I know its performer’s PERSONALITY very well, especially when he wants to behave as a prominent SOLOIST to represent his ORCHESTRA.

Even here in Youtube, one can easily listen to his out-of-tuned performance… either with the piano only or with the viola or with… Perhaps, his tuning system must have been different, or he has a perfect pitch. Only when he ‘squashes’ his sound to ‘obey(!)’ his ensemble partners, his instrument sounds as if he was living in the in-tuned-chamber. What kind of naïve audience would appreciate this distorted sound from La Scala? Please listen to his Oboe, which can’t prove his native talent while following his clarinet. (Hadn’t I watched Youtube-Scala, this or that, last night, I couldn’t have picked up this oboe for this analysis.)

🙂 From Dear-Arab-Readers > Section: Egypt-Normalization > Barenboim’s First Visit to Egypt on April 16, 2009
🙂 Barenboim’s First Visit to Egypt: Part 3D
DEAR PROF. FAWZY EL-SHAMY, who majored in BASSOON…
4th German Chamber Music Festival Brings World-Class Musicians 14-23 July 2009 May 28, 2009 / By Canadian Media/Blog
JIWON: (…) Have you ever seen more inferior, more superficial, more never-in-tuned Bassoon Player than this Jewish one in Rattle’s BPO? (…) You probably checked each Arab members’ full biography after receiving my ‘secret’ report. I myself was surprised at their inferiority. I didn’t check everybody, but so far, they even lied about one, who was NOT from Arab country but from Venezuela. No matter who they are, they are representing Arab musicians. What do you think about this? (…)

NOW, EVERYTHING IS UP TO THIS BOY, MICHAEL BARENBOIM.
IS HE GOING TO JOIN BARENBOIM FAMILY OR NOT?
IF HE WANTS, HE WILL HAVE TO DISAPPEAR FROM THESE POLITICAL EVENTS.

1. Jul 20, 2009: 4th German Chamber Music Festival Brings World-Class Musicians 14-23 July 2009
2. Aug 31 – Sep 8, 2009: DORIT BEINISCH’S JERUSALEM CHAMBER MUSIC FESTIVAL
3. Apr 19, 2010: La Scala Season 2009 – 2010: Invitation to La Scala

IT’S OK THAT HIS DECISION IS TO JOIN BASHKIROV FAMILY.
HOWEVER… IF THIS SH*T EVER WANTS TO DESTROY
DANIEL BARENBOIM’S PROFESSIONAL CAREER AFTER PARTICIPATING IN THOSE EVENTS… AND WITHOUT CHANGING HIS NAME INTO SOMETHING-BASHKIROV, WE’LL SEE.
AS USUAL… THIS JEWISH PIG,
SIR RATTLE’S CONCERTMASTER, QUICKLY UPDATED HIS HOMEPAGE OF GERMAN MUSIC FESTIVAL… and this SYRIAN CLARINET is still there. GOOD!

http://www.youtube.com/results?search_type=&search_query=SCALA+PHILHARMONIC
http://www.youtube.com/results?search_type=&search_query=FILARMONICA+SCALA

No matter what their intention was… the result has always been same… as long as Gidon Kremer’s Second-Ex is alive.
I clearly remember how I was betrayed by the Berlin-and-then-Chicago Musicians, for whose practical life I worked real hard. Who was the first one approaching Maestro Barenboim in Berlin when he preferred to give up all his privileges in order to spend more time with his orchestra members? What happened to EVERYBODY after all?
When I first found out this performance schedule days ago, I was supposed to accept
MICHAEL BARENBOIM’S INVOLVEMENT with a little warning, since I know quite about Inside-Orchestra. Then, I found out information on Dmitri Bashkirov. It’s the end of the story. MUSIC NEVER LIES. Especially in recent days… during which this poorest boy has been proving the worst case of Waltraud Meier’s dirtiest SOUND in the world of classical music.

I need to watch ALL their performances with EVERY conductor. But even in this situation, it was not that difficult to figure out the next step http://www.filarmonica.it/ should take.

Weirdly enough, I had to remember one German Instrument Maker, who immigrated to America. What was his ideal sound when he wanted to make the ideal instrument for the American orchestra, which artistic quality was based on German repertoire? Suddenly, I realized that I heard this characteristic from Furtwangler’s La Scala. (Different color, though… I believe it was with La Scala. Did Maestro Furtwangler record with other Italian ensembles? It was years of years ago when I heard it and my memory is about to die. *.*)

Then, my memory can go further. What was the ideal sound of Hungarian born Maestro George Szell, when he drove his orchestra members into the HELL? First of all, don’t you think members of http://www.filarmonica.it/ should answer my Quiz first, if they want to join SOMETHING-Barenboim without my permission/encouragement?

Please check
🙂 From The Art of Criticism > Section: Dear-Journalists > Quiz
(Updated on FEB 10, 2008)
Q-4: What is it? I wrote in My-Latest-Message, (Please check Section: Italy-Belcanto > JIWON: I can’t help writing… (Tristan/Scala-2007, German Sound, Wagner and Belcanto)), “This orchestra (La Scala) has the same problem as the one that Toscanini was supposed to conduct in America. When the American officials considered it a hopeless case and wanted to report it to Toscanini before his first rehearsal with this American ensemble, he answered that there was nothing to worry about. Of course, Maestro Toscanini did a terrific job.” (I read it many years ago, and don’t remember where I got this article. In fact, I am looking for the exact source. I hope to find it soon…) I wrote this, because in these days, no one knows how to pick up and how to answer the same problem. And then, I am sick of being treated as a wacko, so I am not going to answer it. So… What is it?

🙂 From Section: Italy-Belcanto > JIWON: Dear Mr. Silvio No.1’s ALL friends and foes, (Music & Politics) (Feb 6 – 24, 2009)
JIWON: 7. Basically, this was not a part of my planned writing. It just started the moment Mr. Silvio’s fantastic neck muscles hooked my attention. Then… as usual… whenever I finished something, I found something more… Anyway…
(Returned to the original date on FEBRUARY 21, 2009)
DEAR MR. SILVIO THE MUSICIAN,
Weirdly enough, it was right on that night that I found Mr. Silvio the Musician; Youtube: Apicella & Berlusconi – Meglio ‘na Canzone (2002 or 2003) and Canzone Napoletana – Wikipedia.
Don’t you think this voice is better than its string accompaniment? Could you please imagine its qualified sound? Don’t you think this imaginary sound can go even further? Can you hear this attractive version of string accompaniment supporting your another voice… (during your prime time)? This string section sound is in fact the starting point of very classical music. Have you ever heard of this sound from La Scala?

INTERESTINGLY ENOUGH…
This Quiz was NOT for the members of http://www.filarmonica.it/. It was for the Silvio’s Government.

BERLUSCONI… DEVILLISH EMPEROR…

This was the only word that I picked up from FOLKS around me, who have lived in poverty-stricken, but peace-loving LEFT-wing European blocs. By then, I thought Barenboim was soon going to be dismissed by the RIGHT-wing politicians and I was so scared of this word that I wanted to protect myself with this Italian word, TOSCA-NO-NO.

Still now, I can’t imagine myself enjoying the present situation like this, in which I giggle at ALL BERLUSCONI JOKES, including Berlusconi: Left has uglier women (Apr 9, 2008). Ho-Ho-Ho…

Please check
🙂 From Dear-Arab-Readers > Dear Arab Readers: LAST of All
1. JIWON: Nationalist-Government is My Most Favorite. WHY is it a bad idea? It should be good for Israel!!! (May 31, 2008 to Present)
2. JIWON: Weirdly, I agree with Likud on this subject. *.* (Jun 24, 2008 to Present)

WHAT’S MORE,
I now NEVER dare to treat myself as another Italian no matter what will happen to my life. It was when
FEMALE LIKUDNIK registered her bill on Hebrew Language that I started thinking of Nationalism or Nationalist-Government, because I was born in ONE-blood society and had never thought about this issue. With my own experience, I was able to understand even the Austrian right-wing public mind. To be honest, I can’t imagine myself living in Full-of-Foreigners-Society, which used to be ONE-blood, pure town. It is clearly different from my original wish to live in America, which is basically immigrants’ society.

Silvio Berlusconi’s girls, gaffes and graft appeal to Italian voters Jun 16, 2009 / By British Media
(…) Another factor in Mr Berlusconi’s success is his extraordinary hold over the Italian media. It is as if Rupert Murdoch was Britain’s prime minister, too. “It’s a sort of brainwashing that’s been going on for the last 20 years,” says a disgruntled media insider. “He says the economic crisis is over and that Italy is doing much better than the rest of Europe, even though none of it is true.” Politically, Italy is deeply polarised, with the terms “Communist” and “Fascist” still bandied around in daily discourse. For every Italian who regards the gaffe-prone prime minister as a clownish embarrassment, another sees him as a man of action blessed with the common touch. While critics cringe at the back-slapping bonhomie and schoolboy humour, supporters admire the charisma and energy. At 72, Mr Berlusconi keeps up a schedule that would leave younger men flagging.

🙂 From Italy-Belcanto > Barenboim and La Scala > Music in Italy > Music in Rome, Lazio
Mayor Alemanno in Roma:”L’Opera sarà il primo teatro d’Italia” Jun 16, 2009 / By La Repubblica
Talkbacks for this article 1
ADESSO IL SINDACO VUOLE MISURARSI CON LA SCALA DI MILANO, E FARE IL TEATRO DELL’OPERA + BELLO CHE PRIA!! MA PENSASSE PRIMA A RIPULIRE LA CITTA’, RENDERLA VIVIBILE E SICURA, ALL’EDILIZIA POPOLARE,AGLI OSPEDALI FATISCENTI,AL TRAFFICO E AI TRASPORTI EPPOI AL TEATRO DELL’OPERA. SE L’AZIENDA ITALIA CONTINUERA’ MARCIARE COSI’, AL TEATRO ANDRA’ LUI ED I SUOI AMICI DI PARTITO ASSIEME A BERLUSCA E VELINE VARIE, XCHE’ SOLDI NON NE ABBIAMO PROPRIO PIU’!!!!!

LOL!!!
WHAT A FUN IT IS TO JOIN ITALIAN CULTURE, WHICH IS ABOUT TO COLLAPSE!!! Had I realized it earlier…
GREAT TO HEAR VARIOUS OPINIONS FROM BARENBOIM’S RIVALS.

DEAR SILVIO’S GOVERNMENT,
DEAR SILVIO’S RIVALS INSIDE THE GOVERNMENT,
DEAR SILVIO’S OPPONENTS, WHO ONLY BELIEVE IN BARENBOIM’S PEACE,

Weird that I don’t receive mysterious e-mails any more from http://www.perlulivo.it/index.html. April 13 was the last day. Is it because former prime minister Romano Prodi now lives in America? LOL! Anyway… when are you LEFT-wing politicians in Partito Democratico (PD) going to elect the PRESIDENT? Poor guys…

Let’s assume that the article above is right… that “It (Berlusconi’s success) is a sort of brainwashing that’s been going on for the last 20 years.” Then, how Prodi’s government was able to beat Silvio’s government years ago again and again? It was during the last 20 years… Ho-Ho-Ho…

First of all, I found, from the Internet-encyclopedia, that “However, most former Christian Democrats, Democrazia Cristiana (DC), are now affiliated to the centre-right Il Popolo della Libertà (PdL) and the centre-left Partito Democratico (PD).”

Let’s assume that PEACE-ADVOCATING, LEFT-WING BARENBOIM LOVERS will finally be able to beat Silvio’s Government. Can you allocate MORE MONEY to Barenboim’s Poverty-Stricken La Scala?

SORRY… BUT… I HONESTLY DON’T THINK SO…
WHY DON’T WE WORK TOGETHER?

Please look elsewhere around you. Is there TIME to fight? Jesus… My least favorite is to waste my life on competitive mind, anyway. I just want to think of the best way to work for Barenboim’s La Scala. That’s all.

(Updated on JUNE 19, 2009)
http://www.waltraud-meier.com/html/e/frame_e.html last updated on May 13, 2009
Participants in Lissner’s SEX-scandal
0. NOTICE: Waltraud Meier NOW wants to hide her ‘romantic(?)’ relationship with Lissner’s toy conductors after La Scala’s Lissner failed in Salzburg on May 19, 2009 (… after failing in Berlin…)
1. La Scala’s Lissner’s Myung-Whun Chung in Paris
2. La Scala’s Lissner’s Philippe Jordan in Paris (This J-Family has a story with Bashkirova, BTW.)
3. La Scala’s Lissner’s Daniel Harding in Italy and Plus.
4. La Scala’s Lissner’s Franz Welser-Möst in Vienna. (… this schedule will soon appear…)
5. La Scala’s Lissner or Zubin Mehta’s Zarin Mehta’s Valery Gergiev in New York. (… this schedule will soon appear…)
6. There should be MORE… since La Scala’s NEW season will soon start.

La Scala’s Lissner & Wiener Festwochen: 34th International Music Festival May 9 – Jun 21, 2009
May 25, 2009: Ex-Concertmaster of Abbado’s BPO, who never plans to return to Bashkriova’s Jerusalem Festival, accompanied by the Student of Dmitri Bashkirov
(JIWON: So far, this is the only connection, and I don’t think it was a planned event. It just seems that this fiddler really has no idea about the secret of chamber music…Now that La Scala’s NEW season will soon start, it will be a matter of time… that Lissner’s future Wiener Festwochen will become another headquarters of Dorit Beinisch’s Jerusalem Festival.)

Please check
🙂 From Italy-Belcanto > Barenboim and La Scala
🙂 Barenboim and Bruno Ermolli, Vice President of La Scala
La Scala to open next season with “Carmen” May 26, 2009 / By Reuters
(…) “This is the season closest to my idea of La Scala, a turnaround season that consolidates the goals that have been already partly net,” such as an increase in the number of performances, La Scala General Manager Stephane Lissner told a news conference. However, Vice Chairman Bruno Ermolli warned that La Scala faced red ink next season and possible program cuts if the government failed to confirm financing for it and other theaters. La Scala relies on government funding but has ended four straight seasons in the black. (…)

🙂 From Participants in Lissner’s SEX-scandal at La Scala
Participants in La Scala Season 2008-2009

Frequently Asked Questions:
Q-1: Who is Music Director of Lissner’s La Scala?
A-1: Zubin Mehta or Waltraud Meier or Elena Bashkirova. Only Lissner knows it.
Q-2: Who is Principal Conductor of Lissner’s La Scala?
A-2: Myung-Whun Chung or Daniel Barenboim. Only Lissner knows it and Barenboim interviewed that there is NO title for his Italian job.
Q-3: Who is Milan Mayor’s favorite musician?
A-3: Only Lissner knows it since he prefers to work with female partner.
Q-4: Did La Scala’s Lissner give up his Viennese dream?
A-4: Only Franz Welser-Möst knows it, since La Scala’s Lissner ordered his Kundry to seduce the NEW boss of Wiener Staatsoper, before-or-after this Austrian maestro crushed his Salzburg dream.

Please check
🙂 JIWON: Who keeps sending me this f*cking message?
1. Apr 6 2006:: (…) 제가 주절주절… 거리던 말 기억하시는지요. 그 중에서, 저는 죽어서도 이 나라에 묻히고 싶지 않다고, 근데 지금은 국적을 바꿀 수 있는 희망이 안보여서 그냥 포기했다고 한말. (…)
2. Feb 23, 2007: (…) 솔직히 한국놈들이라면 지긋지긋해서요…
3. Dec 14, 2008: (…) 그 동안 못 먹는 감 찔러나 보는 재미가 아주 쏠쏠하셨나 본데.. 너 같은 떨거지들한테 둘러 쌓여서 이리저리 찔리는 게 얼마나 사람을 XX하게 만드는지 너도 한번 당해볼래? 너, 누군가를 죽여버리고 싶다는 감정이 어떤 건지 아직 모르지? 혹시라도.. 뭔가 믿는 구석이 있어서 그리도 자신만만하게 나오시나 본데.. 그래서 피곤에 쩔어서 허덕인다는거 뻔히 알면서 밤늦게 그리도 전화질이냐? (…) 네가 나라면, 너랑 같이 김영율이라는 똥밭에서 뒹굴고 싶겠니? (…) 사실 이것만 아니면, 어차피 내가 내 인생 종친 거니까 남 탓할 주제도 못되지.. 그러니까 김영율한테 가서 똑똑히 전해라. 나는 나대로 살다 이대로 죽을 거니까, 그쪽은 그쪽대로 살다 죽어서 나중에라도 서로 만나는 일 없게 하라고. 뭐, 누구한테 음악을 가르쳐줘? 인터넷에 널린 게 음악동호회거든? 그냥 거기 가서 그 수준에 맞는 음악 얘기하면서 수다 실컷 떨어라.. 내 앞에서도 아주 빡빡 우기시더만. 어디를 가시든 여성 팬들 사이에서 인기 짱 이실 거다. 나 같은 인생은 왕년에 내가 누구를 만나고 돌아다녔는지 지금 기억도 안 나거든? 그냥, 내가 좋은 어조로 싫다고 할 때 떨어져나갔으면 좀 좋았니… 왜 터지려는 혈압 이 악물고 참고 있는 사람 건드려서 발악을 하게 만드니…
4. May 16, 2009: Who keeps trying this f*cking call on my Korean cell-phone?
5. May 19, 2009: La Scala’s Lissner failed in Salzburg.
6. May 21, 2009: Now, I start drawing a clear map about WHO’SE WHO, WHERE and WHY… even in Italy. Clearly, there was someone behind Bashkirova’s Italy tour and it was planned after they read everything. They wanted to get rid of me. Who knows… Barenboim could be the one. I am now thinking to ‘open’ my cell-phone to everyone. I seriously want to know if Myung-Whun Chung was behind this f*cking Korean guy.

🙂 From Dear-Arab-Readers > Section: Egypt-Normalization > Barenboim’s First Visit to Egypt on April 16, 2009
🙂 Barenboim’s First Visit to Egypt: Part 3D May 20 – Jun 3, 2009
🙂 Barenboim’s First Visit to Egypt: Part 3E Jun 3-8, 2009
JIWON: My report on Waltraud Meier, Spanish WEDO, Rattle’s BPO, La Scala’s Lissner and Lissner’s Salzburg Festival started appearing…
(Updated on JUNE 8, 2009)
JIWON: DID THEY GIVE UP… OR JUST LOOKING FOR ANOTHER COLLABORATOR?
🙂 JIWON: Who keeps sending me this f*cking message?
THE THING THAT I NEVER WANTED TO MENTION… besides the Widow of late Prof Edward Said, who appeared in RED after reading all my writings. (…) I keep wondering… why Waltraud Meier herself tried to hide this information? (…) Since Pinchas Zukerman’s involvement in this NEW(?) Korean orchestra, which is working for this French fame, I started suspecting, but I never wanted to mention this name. Without this French fame, my Korean story could have been quite different. So many stories about this foreign power and Korean orchestra members, and I just hate being involved in any of these.
It’s OK that this musician regards the Korean music society as a Golden Goose. Everybody does. Whenever he visits Korea, he knows nothing about the situation but kept doing the most disgusting things either for the professional orchestra or for the music school. No matter how popular his foreign title was among the public, how many professional musicians detested his Korean job? He now has supporters, since some were able to join Money-market under his leadership. Presently, how many Korean titles is he holding? Or is his notorious brother the one who is behind all the Meier or Scala or Korean projects? Still, I never want to mention a thing about these or those, because I am the one who was dumped by his rivals/detractors, whose mentality is no different from this French power. And I am still thinking… No matter what happens in his future, I’m just thinking how his sister was able to resume her Chicago appearance under Maestro Solti.

🙂 Italy-Belcanto > Barenboim and La Scala > Stephane Lissner and La Scala
🙂 La Scala’s Lissner failed in Salzburg on May 19, 2009 (… after failing in Berlin…)
NEWS EXKLUSIV und aus aktuellem Anlass vorab: Krimi um die Festspiel-Intendanz May 19, 2009 / By NEWS.at
(…) Stark gesunken waren zuletzt die Chancen des Franzosen Stéphane Lissner, 56, der nicht annähernd die kolportierten Sympathien von Unterrichtsministerin Schmied genießen soll. Er wurde von Burgstallers Findungskommissärin, der Bayreuther Festspielintendantin Eva Wagner-Pasquier, putschartig ins Spiel gebracht, als die Hearings schon abgeschlossen waren. Im Gleichschritt mit Wagner-Pasquier agierte der vom Salzburger Fremdenverkehr in die Kommission entsandte Galerist Ropac. Die Überrumpelung gelang: Kommissionsvorsitzende Brigitte Fassbaender, Claudia Schmieds Vertreterin, berief für Lissner das außerordentliche Hearing vom 14. Mai ein. Auch die Findungskommissäre Clemens Hellsberg (entsandt vom Finanzministerium) und Georg Springer (Stadt Salzburg) stimmten zu. Dass sich Lissner auf dem Dreiervorschlag durchsetzte, ist ein Mirakel. Kaum begann sein Name umzugehen, meldete sich Widerspruch in allen Medien des Landes.

Please ask any of your Korean friends what means the message on Dec 14, 2008… right before WEDO’s special tour or Bashkirova’s Italian tour. It was not a normal insulting. I even wrote exactly what kind of hatred I’ve been developing against this Korean sh*t. I wrote that this f*cking calling has evoked my desire to slay this guy. Do you need another dictionary to understand its meaning, ‘SLAY’? For me, ‘killing’ or ‘murdering’ doesn’t work. Under the normal circumstances, any human hearts should be humiliated by this writing. Yet those Korean sh*ts still didn’t give up. They were sure of something until the last moment.

STILL… I DON’T WANT TO BE MEAN…
In Salzburg, it seems, (due to my poor understanding of these German articles), that it was after FOLKS called Barenboim that their Austrian blood pressure erupted against this Foreigner Lissner. It seems that they called Barenboim only to check that their must-have-maestro hardly knows anything.

http://www.google.com/search?hl=en&q=SCALA+BARENBOIM+LISSNER Apr 6, 2009
“The Music Director Post? Barenboim Does Not Want It”
(…) This obviously makes Lissner way more powerful (…)

🙂 From Dear-Arab-Readers > Section: Egypt-Normalization > Barenboim’s First Visit to Egypt on April 16, 2009
🙂 Barenboim’s First Visit to Egypt: Part 3C May 13-20, 2009
(Updated on MAY 19, 2009)
Youtube: Extrait DVD Daniel Barenboim 50 years on stage (with Waltraud Meier) Apr 30, 2009 / By Glauce Kalisch
Waltraud Meier Blog: Who am I? Am I a Brazilian in Paris? From Jun 14, 2008 / By Glauce Kalisch

🙂 From Dear-Arab-Readers > Section: Egypt-Normalization > Barenboim’s First Visit to Egypt on April 16, 2009
🙂 Barenboim’s First Visit to Egypt: Part 3D May 20 – Jun 3, 2009
http://www.google.com/search?hl=en&q=WALTRAUD+MEIER
(JIWON: Both postings are found in two Blogs of Former Presidents of Meier’s Fan-Club. Meanwhile, Elena Bashkirova interviewed on May 4, 2008 that she has many talents and is interested in running the theater.)
1. Apr 18, 2008: ANONYMOUS said…: (…)
2. Apr 8, 2009: ANONYMOUS said…: I have just finished reading the review of X, who says almost exactly the contrary (in very simple words: up Barenboim, down Herheim). Where is something that can be considered more or less the truth about this production in general and about Herheim in particular? (For what concerns Barenboim: at La Scala is considered superficial (he rehearses very few and badly) and his nickname is “Il marchettaro”, so I think your judgment is correct)

Please check the dates, Apr 6, Apr 8, and Apr 30, 2009. Barenboim’s Cairo visit was on Apr 16, 2009. In my case, however… is this Korean story possible without Barenboim’s direct involvement? I’ve NEVER seen happier, more peaceful face than Barenboim in his KISS-scene with this German whore, which happened after my giving up this computer work and which Waltraud Meier or La Scala’s Lissner desperately wanted to show me. Who knows? Barenboim could be the one.

I promise. I will watch this KISS-scene everyday… along with Barenboim’s happy smile standing next to Bashkirova, which those f*cking German media regularly tried to show me. I will fire EVERYBODY involved in this bimbo-scene. I WILL MAKE DANIEL BARENBOIM SICK OF OUR FEMALES. I am curious. Has this Chicago Symphony Orchestra’s bimbo, Alice Clevenger, been accepted by her senior female professionals since my open insulting? Have you heard of this Korean proverb? “여자가 한을 품으면 오뉴월에도 서리가 내린다.” I don’t think this English quote explains everything. “Heaven has no rage like love to hatred turned / Nor hell a fury like a woman scorned.”

As a matter of fact, when I promised Waltraud Meier that I would watch her posting of Barenboim’s KISS-scene everyday, this German whore went further. It was right before I received this f*cking call on my Korean cell phone.
Youtube: Extrait Symphony n°9 Beethoven D.Barenboim, W.Meier, and WEDO May 12, 2009 / By Glauce Kalisch

THEREFORE…
Hope to find proud interviews by La Scala’s Lissner or Lissner’s Zubin Mehta or Lissner’s Myung-Whun Chung or even Lissner’s Franz Welser-Möst. One Venezuelan, who cut his relationship with Sir Rattle’s Jewish Concertmaster days ago, interviewed that he will keep participating in Barenboim’s WEDO. How come? Isn’t it going to be a pure Arab-project with Egyptian Music Society? Then what about those La Scala owners? I need their Barenboim-interview NOW, because I am supposed to finish this writing by tomorrow night.

“DANIEL BARENBOIM PLANNED EVERYTHING!”

(Updated on JUNE 20, 2009)
(I couldn’t post it that day, because my family threatened me again and I had to yell and yell… I just think there are two gods fighting in this house, since they used to do this at every important moment of my life. Isn’t that enough for them to break my computer?)
http://news.google.com/news?um=1&ned=us&hl=en&q=BERLUSCONI+MINOR+SCANDAL

How come Silvio Berlusconi is what I find… instead of Daniel Barenboim? Poor Silvio…

Basically, my promise to work for the Italian President was with Italian 81st Prime Minister, and therefore, nothing should bother me, who still firmly believe that my work will contribute to the better future of Italian Politics. Under the normal circumstances, I should enjoy this weirdest situation, because it is so fun to read them. But, I don’t. In fact, I start worrying for the Top Leader of Il Popolo della Libertà (PdL), which will be left without Berlusconi and without the right successor and will soon become ‘Today’s-Kadima-Without-Sharon’ in Barenboim’s Israel’.

First of all, after finding physical connection between the legendary maestro Eugene Ormandy and Musician Silvio, I truly wish his healthiest, longest life. To be honest, my private feeling is exactly in-between. I enjoy following this minor-scandal, because I am not his daughter, but at the same time, I worry about this guy because I truly became the ONLY supporter from the opposition group. *.*

I will forever remember how he saved my hopeless situation by blocking all those B*tch articles during Bashkirova’s Italian tour. I want to pay back. At the same time, I really hope. HOPE THIS ITALIAN GUY TO BE SICK OF OUR FEMALES… so sick of all the bimbos around his MONEY that he would want to spend the rest of his life with MUSIC only.

It was during this minor-scandal that I learned the secret of Silvio’s bandana. Ho-Ho-Ho. (Weirdly, this is why I used to think ‘Silvio is cool!’ I couldn’t understand why Mrs. Blair suffered trouble relationship with Silvio’s colorful bandanas during the trip. I will absolutely agree with her if this is another guy, but it just fits Mr. Silvio very well. Ho-Ho-Ho.)

What about ‘BANDANA-BROTHERS’ AT LA SCALA? With NO doubt, Barenboim will have to wear RED bandana. Then, it would be perfect if the PRESIDENT of Partito Democratico (PD) joins them to perform ‘BANDANA-TRIO’ AT LA SCALA. NO SECRETARIES of Partito Democratico (PD) will be invited, please… (I clearly know I will have to count the money Bandana Silvio will donate and find the most effective way to make Patron Silvio ‘feel(!)’ that he holds the most spotlight during the concert. ^.*)

Meanwhile, the situation in Israel is getting so comical that I decide to make this part an independent section. I just can’t live without this Jewish WIT!

Please check
🙂 From Dear-Arab-Readers > Section: Egypt-Normalization > Barenboim’s First Visit to Egypt on April 16, 2009
🙂 Part 1 & Part 2 & Part 3A & Part 3B & Part 3C & Part 3D & Part 3E until Jun 8, 2009
🙂 There will be ONE more section… thanks to Bashkirova’s On-Going Story in Italy and those members’ trashy behaviors in Arab world while being busy at selling something-Barenboim… SIC!
🙂 Barenboim’s First Visit to Egypt: Part 3F until PRESENT
Yossi Sarid: Netanyahu’s acceptance of my ideas only made me angrier Jun 20, 2009 / By Haaretz
Nehemia Shtrasler: Our new, uneconomic Netanyahu Jun 20, 2009 / By Haaretz
Yoel Marcus: Six comments on the situation Jun 20, 2009 / By Haaretz
(…) The problem is that Bibi’s speech was not written for the Israeli people, whose expectations of its leaders have long reached dizzying heights. It was written for one person only: U.S. President Barack Obama, who laid down an ultimatum for us in Cairo. This is why he agonized over every word and every punctuation mark. It’s just a shame that Obama was playing golf while the speech was delivered. If Bibi knew this in advance, he would have written the speech in his exquisite English. (…)

AND… I am still waiting for Interviews by La Scala’s Owners: “DANIEL BARENBOIM PLANNED EVERYTHING!”

(Updated on JUNE 22, 2009)
Barenboim dirigirá el debut operístico del Taller del Diván el 2 de agosto en el Maestranza Jun 20, 2009 / By Diario de Sevilla
(…) Durante este periodo los jóvenes músicos, asistidos por los profesores de la Staatskapelle de Berlín y dirigidos por el maestro Daniel Barenboim (…) Como todos los veranos anteriores, participará en el taller un grupo de jóvenes músicos PALESTINOS que convivirán con el resto de los músicos de la orquesta, compartiendo unos días de trabajo y de convivencia musical y humana, asistiendo a los ensayos y recibiendo clases instrumentales y de orquesta. Estos niños participan en los proyectos que la Fundación Barenboim-Said desarrolla en Oriente Próximo. (…) y de grandes solistas de prestigio internacional como WALTRAUD MEIER. (…)Tras el comienzo de la gira en Sevilla, el Diván visitará Madrid (5 de agosto), el Kursaal de San Sebastián (día 6), Ginebra (7), Salzburgo (12, 14, 15 y 16 del mismo mes), Bayreuth (19) y, como broche de prestigio, el Royal Albert Hall de Londres (21 y 22).

Unter den Linden: Barenboim, Tristan & Isolde Aug 29, 2009 / By Staatskapelle
Participants in Post-WEDO Celebration Party in Berlin
Waltraud Meier, Matthias Glander, and MICHAEL BARENBOIM’S Violin-Teacher.

Waltraud Meier Blog: Who am I? Am I a Brazilian in Paris? From Jun 14, 2008 / By Glauce Kalisch
Youtube: Extrait DVD Daniel Barenboim 50 years on stage (with Waltraud Meier) Apr 30, 2009 / By Glauce Kalisch
1. Comments start appearing again…
2. juanpst77 in Colombia (3 weeks ago on Jun 22, 2009): Good!! it’s a nice DVD.
3. janeway258 in America (10 hours ago on Jun 22, 2009): I love Waltraud!

NO WONDER… they resumed their job and it was toward MICHAEL BARENBOIM’S tour concert schedule with Daniel Barenboim… And then, am I allowed to post my Barenboim-message in this place, Youtube?

Is Nina Stemme available? (She should be in London around Aug 19.) And Karita Mattila wants to sing Alban Berg on Aug 9-10 in Salzburg. (I thought Mattila’s Flimm could invite her to Barenboim’s Salzburg on Aug 12, but what about Spain and London? Impossible to find her full performance schedule.) Of course, it would be great if either of them or other real DIVAS are willing to join Barenboim’s DIVAN-project, but I was just not sure of professional egos and couldn’t mention those names until the last moment…)

First of all, Egyptian Cairo Symphony Orchestra is not that cheap enough to disguise itself as Barenboim’s inferior WEDO during the international tour. And then… I can NEVER allow Matthias Glander and his Berlin Pigs to touch Arab youngsters. PERIOD

Everything was up to Barenboim. Everything is up to Barenboim, and Everything will be up to Barenboim. And the story was always like this. IF… if this information is all true, I know… Daniel Barenboim will have to finish his La Scala contract as quietly/noisily as possible and die as soon as possible. I will keep my promise to the Italian politicians.

Please check
🙂 From Italy-Belcanto > Barenboim and La Scala > Stephane Lissner and La Scala
🙂 Participants in Lissner’s SEX-scandal at La Scala
Participants in La Scala Season 2008/2009, 2009/2010

(Updated on JUNE 23, 2009)
Simply, how many performance schedules were this Korean conductor, Myung-Whun Chung, offered in return for his work to threaten me, to strangle me? The story would have been perfect… if this Korean name was my favorite.

http://www.youtube.com/results?search_type=&search_query=SCALA+MYUNG-WHUN
YOUTUBE: We don’t offer Chung’s Scala performance. Sorry…

WEIRDLY…
Below paragraph is what I wrote last week but couldn’t post… along with
‘BANDANA SILVIO’, which was anyway posted last night. Now, I can’t go further without posting this one too.

I was NOT born a beauty, NOR a legendary musician. But God gave me ONE gift. I have an ability to work with anyone and I enjoy this situation. In fact, I’ve hardly fought with anyone before my American study. Even my late Korean teacher’s rival appreciated me when he had no one to support among his own students, and he said this directly to me when he openly supported me. Especially when he was drunken, he really wanted to treat me as his own student. (Curiously, I have couple of stories with (senior) female musicians right before I left for America. I didn’t start it. All I said was “We are not allowed to play like that tonight. This is what we learned during the workshop.” (It was during the month-long workshop and I was in charge of the group and our professor instructed her to take care of his students during his one-day absence.) Then, as time passed by, they, (her friends), started to spread rumors against me. When I analyze their music now… it’s fun to analyze, anyway, because everything was purely based on the function of their music… aka Eurotrash.

Still, I can never accept their trashy teaching that day, who wanted to take a rebellious role in education department and ignored all their seniors’ teaching method. It is in fact exactly same as how Matthias Glander’s Berlin Pigs trained Mideatern Monkeys in Spain. What’s more, whenever I recall those days… I never treat my (female) juniors as they did.

NOW… I HOPE THE HORN SECTION OF http://www.filarmonica.it/ TO READ THE REST OF MY WRITING ALOUD.

🙂 From The Art of Criticism > Messages-Before/After > Who Is My Teacher?
(Originally written on Mar 5, 2006)
JIWON: How many years have passed since my late Korean teacher left his ensemble? And besides, what is his rival, ex-principal of the Seoul Philharmonic Orchestra, doing now? I’ve hesitated to mention these Korean names (…) How many musicians showed sensitive response to my playing when I returned to Korea? The ex-principal of the Seoul Philharmonic Orchestra was the one. How can I forget his blissful face running toward me after the concert that night? (…) I still remember his beautiful sound floating over the string section. Some said his playing was too weak, compared to my late Korean teacher. (…) My late Korean teacher never said good-bye to me. He passed away during my American residency. And whatever his wish was, I learned what he wanted to learn throughout all his professional years. And years have passed again, then I am thinking again… (…) To those who would lament that the dead has no mouth to defend himself, I can explain ALL about US in public, because, even after all the happenings between US, I was the only one who quietly/secretly called him to inform him of the emergent situation he faced when his no-less-than-trashy juniors planned a specific happening to find a good opportunity for him to be dismissed. Still, my opinion is no different that if fifty-something-year-old solo horn should be sacked for whatever reason, all those thirty-or-forty-something-year-old woodwinds should be fired, too, because not the old accompaniment horn part but those young melody wind parts used to be out-of-tuned. (…) But then, it took less than a month for him to turn his back on me. Time has passed, then I am thinking again… Who is now a leading figure in this Korean music society, which is now proudly having several professional ensembles? Several professional ensembles mean several principals, all of whom are eager to stand right in the center of politics. I promise. If they read this writing, all of them will laugh at my nostalgic way of thinking. So… I may have to write more about the present musical happenings in my town. (…) His sound was a natural result of his diligent life. Therefore, it is still hard for me to understand why so many juniors are denying their forerunner and wasting their valuable time to study something another, because my late Korean teacher has already proved the most effective horn sound as an orchestra player in Korean music society. (…)

I still remember that day.
How can I forget what should be remembered as one of the most unique experience in my life? I do remember every each moment of that Mahler No.1. It was during my American study. It was also after my late Korean teacher’s planned(?) but sudden/unexpected death. Since I never wanted to return to my old ensemble, I visited my late Korean teacher’s rival and he invited me into his Mahler concert.

By then, the Korean music society was full of foreign diplomas and the entire society was like a huge trashbin. That night, I was so sick of all these and those Eurotrashes that I brought my electronic tuner on the stage to check something, and I can’t tell what the something is. Always, those pigs are the first one who are aware of their out-of-tuned performance and used to insult my behavior with this electronic tuner. But my electronic tuner doesn’t follow them, nor do I need it to prove their f*cking ensemble techniques. Since I am not a perfect pitch nor any oboes play in-tuned ensemble after the string section starts with their LA-LA-LA, I needed my electronic tuner to check something during the performance. Especially when my instrument is more sensitive than others’, I desperately needed it on the stage.

That night, my electronic tuner perfectly proved my analysis. And the SOLO HORN missed his notes in the most perfect way. After the performance, I was in his car and I’ve never seen more bad-tempered guy than this performer. That day, his intention was half-half. Perhaps, he wanted to crush me after taking advantage of my American/Korean situation, but he was originally not such a cruel human heart. No matter what his real intention was, he really wanted to show me his very best that night but failed. I failed too, because I really wanted to appreciate his performance that night but couldn’t explain the reason of his blue day.

When was it? Still, his sound was there. When did I return to Korea finally? His sound was gone. Soon, his name disappeared from the members’ list. This is interesting… because his fate was not the only happening. In the world of Zubin Mehta’s Classical Music, there was another happening during this period and this was the exactly same case as this Korean one. This European sound was famous for the legendary Mahler recordings… and this is the only thing I want to write about this European case in this open place. (I don’t want to make more enemies… sic!) I am also curious if Abbado’s BPO’s SOLO Horn got fired during this period too.

The moment I heard the members of http://www.filarmonica.it/, I had to remember this Korean guy. I don’t know why… Perhaps because I saw MICHAEL BARENBOIM’S INVOLVEMENT in Dmitri Bashkirov’s La Scala.

This Korean sound may be drier than La Scala’s horns. (Perhaps due to Korean dry weather and inferior acoustics of his concert hall.) But his sound blended with the strings more than La Scala’s horns, but was able to project to the end of the concert hall without losing the body or core-quality of his sound. (Impossible to describe either in Korean or English…) His favorite instrument was Paxman, BTW. He was said to frequently miss the notes in the rehearsal room, (… people used to joke about his mistakes…), but I’ve never seen him missing the notes during live performances. How many Korean kids have studied with this guy and how many among them are now playing like him? NONE. Is it because he is not talented in teaching? His first and last teaching method was that the horn sound should blend with the strings. In fact, he was the loneliest guy in this area and whenever he was drunken, he always said that he wanted to hear this from his students. True that I rejected his phone call… but I thought that I could solve my problem as soon as possible and then help him in a better way. Nothing worked.

MAY I WRITE ONE MORE MAHLER STORY?

I think I wrote this somewhere in my Music blog but can’t find it from this part, Who Is My Teacher?. It was toward my farewell to my late Korean teacher and his orchestra. By then, everybody was planning some plots to stab in his back… while I was busy at analyzing his troublesome performance and counting his planned(?) death.

I grew up with a belief that my late Korean teacher was a King in the music society. He was perhaps the most diligent human being I’ve ever seen and all the old Korean musicians told me about his legendary life. I used to think that he was like God until…

In professional orchestra, he was the poorest guy, who was always worrying about something. He was among the oldest and had no friend. Finally one day, he received an official warning, from the management department, that he would have to be fired if he missed ONE note during his Mahler No. 5. Under the normal circumstances, if his performance is out-of-tuned… he will miss the note at the most important spot.

That night, he made a perfect pitch and missed NO notes. Later, I heard that he ate NOTHING for one whole day. The stage rehearsal was in the morning and I only remember him sitting alone all day in the corner of waiting room. Of course, I didn’t talk to him, because my relationship with him had already been broken by then. If my memory is right, he was around fifty. Can a fifty-year-old brass player manage his performance schedule without any food in his stomach for the entire day?

Whenever I recall those days… though I never plan to call his widow or any of his family members… this memory hurts me… I’m still thinking… What would have happened to ‘us’ if nothing destroyed my relationship with my teacher? I had no father in my family and he was like my father until… At least, I could have tried to fill in his lonely heart with a light food…

Unfortunately, I don’t remember who conducted this Mahler No.5. But I do remember who conducted that Mahler No.1. I do. How can I forget his eyeing the horn section with such a contempt during the rehearsal? In fact, the solo horn that night was beneath contempt for this conductor.

PLEASE ASK MAESTRO MYUNG-WHUN CHUNG WHO THIS CONDUCTOR WAS.

Have any horn players in http://www.filarmonica.it/ NOT experienced this humiliation from Maestro Chung yet? They will. I promise. MICHAEL BARENBOIM will anyway join Dmitri Bashkirov’s La Scala and this musician will never give up his friendship with all those Berlin Pigs and then… it is a matter of time.

Already now, LA SCALA’S GENERAL MANAGER AND ARTISTIC DIRECTOR STEPHANE LISSNER has invited ALL the great maestros and asked them to beat Daniel Barenboim in the name of Elena Bashkirova. The result… its strings are already losing their section sound.

DID I WRITE EVERYTHING ABOUT THOSE TWO KOREAN HORN SOUNDS?

I think it was Brahmas Academic Festival Overture.
It was the most beautiful Brahms performance I’ve ever heard from any horn players. I’m not sure of my memory about the program that day. I just clearly remember the weirdest position, which my late Korean teacher’s rival took on the stage. It was a Festival Orchestra and I couldn’t understand why his horn section sat on that weird spot. I was in the upper balcony and was surprised at his clearly projecting beautiful sound. Now, I know why he wanted to sit in front of all those winds and brasses and brought his own second horn. Especially when he was forced to play in the wind ensemble, he used to take his whole section members.

Any Korean students who listened to the live performance of Dale Clevenger, the SOLO horn of the Chicago Symphony Orchestra, was surprised at his sound, because it was the exact combination of my late Korean teacher and his rival. Some students joked that my late Korean teacher looked like Dennis Brain’s father, Aubrey Brain, who looked less(?) musical or much more strict-or-even-tensed than his legendary son. And we used to joke that the Great Britain in those days was under the military government too.

Now that everybody is gone…
And then I know quite a lot about the Arab Music Society…
I am suspecting if the Syrian Music Society has already ended up with the Russian or its similar European horn sound. Quite naturally, if you follow ‘legendary(?)’ Arab winds and brasses in Matthias Glander or Elena Bashkirova or Waltraud Meier’s West-Eastern-Divan-Orchestra, you can analyze everything in Arab Music Society.

And then, it was possible to pick up the pure German tradition from Barenboim’s Cairo Symphony Orchestra, because the Egyptian Music Society furious rejected Barenboim’s invitation to this Spanish project and didn’t allow their students to join those Berlin Pigs. Isn’t that perfect?

According to the rule of this Bimbo-Battle, Matthias Glander’s Spanish WEDO 2009 will be filled with the Syrian musicians and their Arab friends such as from Iran or Lebanon… with the help of (contemporary) Czech horn, which can join any kinds of chamber music festival.

http://www.youtube.com/results?search_type=&search_query=SCALA+PHILHARMONIC
http://www.youtube.com/results?search_type=&search_query=FILARMONICA+SCALA

Days ago, I wrote that I used to be somewhat pessimistic about its performance quality. Funnily enough, it was due to Chung’s involvement. More exactly speaking… Zubin Mehta and then Myung-Whun Chung and then Gustavo Dudamel… It’s the end of story. Please check the entire list of Participants in Lissner’s SEX-scandal at La Scala.

Zubin Mehta has NEVER changed his concept of orchestra sound. Was it Dresden Staatskapelle with Robert Holl that I recently heard on the radio? This musician proved AGAIN that anyone can make his audience fall asleep with the music of Schubert and Bruckner until they raise their volume only to make small animals, such as birds or hedgehog, real hysterical.

And then Myung-Whun Chung joins this music and, as usual, his audience pointed out his ‘brilliant(?)’ winds and brasses. And then… Gustavo Dudamel’s hilarious dancing… (Weirdly, Dudamel’s La Scala was better than Dudamel’s BPO. However, it’s a matter of time that the Milan musicians will dance like the Berliners once they lose its string section sound.)

(Updated on JUNE 24, 2009)
http://www.youtube.com/results?search_type=&search_query=SCALA+MYUNG-WHUN
YOUTUBE: We don’t offer Chung’s Scala performance. Sorry…

I just want to watch this performance before writing something… more exactly… before criticizing those who wanted to strangle me.
Before writing something…
How many orchestras exist in France or in Paris? Wikipedia-Category: French orchestras
What’s the difference between Myung-Whun Chung’s Orchestre Philharmonique de Radio France and Daniele Gatti’s Orchestre National de France? Both are run by Radio France.
How do Europeans rate Myung-Whun Chung’s French orchestra?

I am pretty sure that French Myung-Whun Chung was surprised at superior quality of Barenboim’s La Scala.
Just out of curiosity, below is what this guy did while following my open messages to Silvio’s Government.

Please check the dates
🙂 From Italy-Belcanto
🙂 JIWON: Howdy Partners! (Zeffirelli, Imola, Bel-Canto and Eurotrash) Dec 16-31, 2008
🙂 JIWON: Dear Mr. Silvio No.1’s ALL friends and foes, (Music & Politics) Dec 29, 2008 – Feb 24, 2009

Chung: I prefer to go to Africa than to go to La Scala Jan 14, 2009 / Korean media
(…) I am a UNICEF Goodwill Ambassador. (…) I know nothing about Politics. (…)

🙂 JIWON: Who keeps sending me this f*cking message?
3. Dec 14, 2008: (…) 그 동안 못 먹는 감 찔러나 보는 재미가 아주 쏠쏠하셨나 본데.. 너 같은 떨거지들한테 둘러 쌓여서 이리저리 찔리는 게 얼마나 사람을 XX하게 만드는지 너도 한번 당해볼래? (…)
4. May 16, 2009: Who keeps trying this f*cking call on my Korean cell-phone?
5. May 19, 2009: La Scala’s Lissner failed in Salzburg.
5. Jun 2, 2009: Analyzing Chung’s Korean rivals…

Chung (Happy face in PHOTO): Mastering technique is easy, but understanding music is difficult Jun 5, 2009 / Korean media
(…) My family is everything. (…) I want to dedicate the rest of my life to ‘others’. (…)

Isn’t that interesting? There are more, of course… concerning Chung’s Korean musician, but I feel no need to report.

STEPHANE LISSNER and MYUNG-WHUN CHUNG and ZUBIN MEHTA

SO, IT WAS THE REAL REASON OF ZUBIN MEHTA’S KOREAN TOUR WITH BARENBOIM’S Vienna Philharmonic

This legendary maestro wanted to show me that not only Barenboim’s Israel, not only Barenboim’s La Scala, not only Barenboim’s Vienna Philharmonic, but also the entire Korean music society is under his power. Why worry? I am now suspecting if this guy was illiterate. When did I care for his great success in this country, where none of my rivals could ever boast my ideal sound, despite my open analysis how to improve, as long as Zubin Mehta is alive…

My problem is that I did ‘watch(!)’ Chung’s Korean ensemble some ago. It was not a planned happening. I was searching for the TV channels and they were there and I quickly went to another entertainment channel. I couldn’t watch it. A real surprise… because I used to think that Barenboim’s conducting posture after his WEDO tour was the worst… worse than any other rivals. Chung’s conducting was worse. If Barenboim diligently followed this inferior ensemble, WEDO, and lost his conducting posture, Chung was leading his ensemble with his typical, charismatic style. Should it be called mannerism?

Whenever he visits Korea, Myung-Whun Chung used to introduce cheap French sound X as IDEAL for his orchestra. It’s been years since this musician was chained to his French sound. What’s more, he adjusted himself to this situation and used to elicit the opposite sound from… NO MORE NEED TO ANALYZE THIS MUSIC. Just like Zubin Mehta in his headquarters, this maestro is now constantly firing orchestra members to achieve what he wants to achieve. Let’s just hope that this French musician realizes his Korean dream. First of all, Internet says that his notorious brother will collect enough fortune for his family during his another project and his whatever behaviors have nothing to do with LAW.

Please check
http://wagneropera.blogspot.com/
2 COMMENTS from Herheim triumphs with Lohengrin in Berlin Apr 8, 2009
ANONYMOUS said…: I have just finished reading the review of X, who says almost exactly the contrary (in very simple words: up Barenboim, down Herheim). Where is something that can be considered more or less the truth about this production in general and about Herheim in particular? (For what concerns Barenboim: at La Scala is considered superficial (he rehearses very few and badly) and his nickname is “Il marchettaro”, so I think your judgment is correct)

🙂 From Italy-Belcanto > Barenboim and La Scala > Stephane Lissner and La Scala
🙂 Lissner-Scandal: Roberto Alagna on Dec 10, 2006
After La Scala Boos, a Tenor Boos Back Dec 13, 2009 / By New York Times
(…) La Scala’s president and artistic director, Stéphane Lissner, has banned Mr. Alagna from the rest of the run, and said that his future at the house is in jeopardy. For his part Mr. Alagna has promised to sue the house for his fees, which he said are around $13,000 a performance. (…) Mr. Lissner said there was no way he would have Mr. Alagna back during the “Aida” run after what happened. “It’s a kind of professionalism. The audience expects the singer is supposed to do the whole performance.” As for scheduled performances by Mr. Alagna in “Manon Lescaut” next season, those were now up in the air, Mr. Lissner said. “It’s a possibility he will sing,” Mr. Lissner said. “It’s a possibility he won’t sing. Nobody is prepared to have Mr. Alagna in this theater. But for the future, we will see.”

NOW, EVERYBODY KNOWS WHAT MEANS THIS DATE, APRIL 8, 2009. AND I BELIEVE.

This blog, http://wagneropera.blogspot.com/, has not been a normal place, and this ANONYMOUS WORKING TO DEFAME BARENBOIM was not the first happening. If you read all the articles during MUTI-SCANDAL, La Scala musicians didn’t hide their identities while expressing their opinion against the maestro. First of all, WALTRAUD MEIER didn’t give up her Barenboim-project and kept doing this Internet work despite my LEGAL WARNING.

NOW, I AM OPENLY ASKING. WHO DO YOU THINK POSTED THIS?

IF… if this ANONYMOUS POSTING was from any members of La Scala’s Lissner, whether Elena Bashkirova or Waltraud Meier or Matthias Glander’s Berlin Pigs or Myung-Whun Chung’s Korean sh*ts, this very figure, LA SCALA’S GENERAL MANAGER AND ARTISTIC DIRECTOR STEPHANE LISSNER will have to be responsible for this happening. Isn’t that an Internet Crime? Lissner himself interviewed, during Lissner-Scandal: Roberto Alagna on Dec 10, 2006, that THIS IS ALL ABOUT PROFESSIONALISM and that ALL THE FUTURE CONTRACT IS UP IN THE AIR.

Gideon Levy: Netanyahu, put your money where your mouth is Feb 19, 2009 / By Haretz

🙂 From Italy-Belcanto > Barenboim and La Scala > Stephane Lissner and La Scala
🙂 La Scala’s Lissner failed in Salzburg on May 19, 2009 (… after failing in Berlin…)
NEWS EXKLUSIV und aus aktuellem Anlass vorab: Krimi um die Festspiel-Intendanz May 19, 2009 / By NEWS.at
(…) Attacken: Philharmoniker-Vorstand und Findungskommissär Hellsberg attackierte ihn erkenntlich im „Kurier“. Der Protest wuchs sich nach Bekanntwerden des Dreiervorschlags zum Orkan aus. In der Tat zeichnet sich Lissner vor allem durch Vielfachverwertung seiner Produktionen aus. Seine Mailänder Intendanz ist durch Chaos und versenktes Kernrepertoire gekennzeichnet, die Musiksparte der Festwochen zur Nichtigkeit verkommen. Beim Hearing soll Lissner Seltsames verlautbart haben: Wiewohl der deutschen Sprache nur bescheiden mächtig, wäre er willens, das Schauspiel mit zu übernehmen. Die Intendanz der Mailänder Scala – immerhin eines der führenden Häuser der Welt – werde er gern ein Jahr vor Vertragsende aufgeben, um 2012 in Salzburg antreten zu können.

I BELIEVE.
EVERYBODY, whether
ISRAELI PRIME MINISTER or LA SCALA’S LISSNER or JERUSALEM FESTIVAL’S ELENA BASHKIROVA, should put their money where their mouth is.
La Scala’s Lissner even interviewed that his Milan contract is nothing special in case it overlaps with his Salzburg one. Is there something wrong with my understanding of this German article?

Please check
🙂 From Italy-Belcanto > Barenboim and La Scala > Stephane Lissner and La Scala
🙂 Participants in Lissner’s SEX-scandal at La Scala
Participants in La Scala Season 2008/2009, 2009/2010

Basically, I should start this research from the very beginning or at least 2006, during which EVERYBODY, ISRAELI SUPREME COURT PRESIDENT DORIT BEINISCH in particular, was busy at his/her Barenboim-project.

And then… this is not the only happening. Georges Prêtre and Others? This guy has been taking advantage of my computer work… and then years later… whose achievement people will consider this to be?

Even Gidon Kremer debuted as La Scala’s Maestro? How much has EVERYBODY received from La Scala’s Lissner? More than Alagna or less than Alagna?

This is how Elena Bashkirova used to collaborate with EVERYBODY, including Barenboim’s rivals/enemies. The more Barenboim’s friends and supporters wanted to accept his painful past through their unbelievable generosity, the more this whore took advantage of her situation, and as a matter of fact, this human trash enjoyed her political gathering with Barenboim’s rivals/enemies more and more… and then stole all my hard working… and wanted more and more while enjoying Barenboim’s bottomless failing. Hadn’t this trash boasted in her interview that her professional career had nothing to do with Barenboim, I didn’t insult this whore like this…

Since the moment or even before Daniel Barenboim was appointed as Lissner’s toy conductor at La Scala, EVERYBODY has known Barenboim’s hard working. They knew how delicious it was, how delicious it would be to devour Barenboim’s orchestra.

(Updated on JUNE 25, 2009) – BREAKING NEWS – 1

FACEBOOK: WALTRAUD MEIER created by WEDO members with the help of Mrs. Mariam Said.
1. Glauce Kalisch or Waltraud Meier in Brazil/Paris on Dec 28, 2008: This is a “wagner’s blog”, but it’s a homage to Waltraud Meier! Thank you for your visit!
2. http://wagneropera.blogspot.com/ on Mar 24, 2009: Waltraud Meier will not sing Brünnhilde at La Scala.
3. Beth Schuman or Waltraud Meier in Chicago on Apr 30, 2009: It’s not almost like she owns the role, she OWNS it! :- )

THIS FACEBOOK-GROUP WAS NOT SOMETHING NEW… HOWEVER…
SO, THEY’VE BEEN WORKING AS A GROUP UNDER THE DETAILED INSTRUCTION OF LA SCALA’S LISSNER. OR EVEN MAESTRO RICCARDO MUTI?

This figure, Beth Schuman or Waltraud Meier in Chicago has not been a normal forumite. She only appeared in Barenboim-forum in order to stalk me and protect Waltraud Meier. And her work finally made me give up my computer work. Do you think this is a mere concertgoer or Meier’s fan?

http://www.linkedin.com/pub/beth-schuman/7/5a0/691
Beth Schuman: Executive Assistant / Greater Chicago Area
Past-1: Executive Assistant at Washington Mutual
Past-2: Artist Assistant – SCP at Chicago Symphony Orchestra
Past-3: Business Integration Technician (Inventory Control) at Masterfoods
Education: Elmhurst College

See… I finally found out. This female used to work for Henry Fogel, whose ideal musician was Maestro Zubin Mehta. How come she lost her CSO job, since Elmhurst is Dale Clevenger’s headquarters? When? So, did this former president of Chicago Symphony Orchestra resume his job? Or this time, this female decided to volunteer in the hope of finding a better job in Italy or Muti’s Chicago? Just as Henry Fogel insulted Daniel Barenboim behind his back, Beth Schuman or Henry Fogel in Chicago was sure that EVERYTHING will be up to Barenboim. And then… will Henry Fogel openly say after a great success of WEDO 2009 in Spain? “Mr. Barenboim will NEVER betray Maestro Waltraud Meier no matter what…” Just funny.

NOW, I KNOW WHY CHICAGO FOLKS WILL RE-APPEAR IN DORIT BEINISCH’S JERUSALEM FESTIVAL 2009, AND BARENBOIM’S BERLIN EMPLOYEES JOINED THEM. Amazing…

“Oper für alle” präsentiert 2009 erneut zwei Veranstaltungen zu freiem Eintritt. Erstmals Übertragung nach Wien Jun 23, 2009 / By lifepr.de (Pressemitteilung)
(…) 2007 etablierten die Staatsoper Unter den Linden und BMW Berlin das Format auch in der Hauptstadt. Bei “Staatsoper für alle” 2009 steht am 29. August 2009 um 17 Uhr die audio-visuelle Live-Übertragung von Richard Wagners “Tristan und Isolde” in der Inszenierung von Harry Kupfer mit u.a. Robert Gambill, René Pape und Katarina Dalayman auf dem Programm. (…)

TO REPEAT MEIER’S HISTORY AGAIN?
In Berlin and then in New York and then in Berlin again? Aren’t this female and her undercover going to be ill again and cancel her role again in return for receiving her performance schedule with Sir Rattle’s Berlin Philharmonic? And then… isn’t Waltraud Meier going to post ANNOMOUS posting in her Fan-club again and boast her intimate relationship with Daniel Barenboim again? (That night, I should have saved this posting on one anonymous blogger. I’ve never suspected this female’s poor health until I found Meier’s boasting/posting and then I found out Sir Rattle’s performance schedule with this female and additional schedule at Lissner’s Festival d’Aix-en-Provence. Sick of everybody.)

To Repeat Meier's History Again...

To Repeat Meier's History Again...

Now I know Waltraud Meier ‘intentionally’ chose this special dresscode because of ME, rather than because of Barenboim. I also believe Barenboim himself wanted me and MICHAEL BARENBOIM to find this lovely photo, so I decide to post it in a full size. With NO doubt, Barenboim wants to teach his son through his MUSIC and LIFE and this is IT. And MICHAEL BARENBOIM himself is quick to follow everything. The worse for the older, the better and the faster for the younger. And then, please ask Meier again how Meier made her Brangäne gave up her next contract at La Scala after my open analysis. Please ask Meier what she gave her in return. Barenboim’s New York performance schedule, in which Barenboim was only allowed to conduct for Glander’s orchestra members?

(Updated on JUNE 25, 2009) – BREAKING NEWS – 2

Gideon Levy: Lawbreakers in the Supreme Court Jun 25, 2009 / By Haretz
(…) three candidates to the beacon of justice are settlers (…) The land they live on has been plundered by either fraud or violence. In many cases this is private land that does not belong to them, in settlements whose very establishment is a violation of international law. It was their ideological choice to live in a region of lawlessness, violence and crime, as aptly described in the Sasson Report – an official Justice Ministry paper adopted by the cabinet.
(…) We can start missing Daniel Friedmann – the revolution his heir Yaakov Neeman is leading is infinitely more dangerous to the rule of law. But Friedmann, who mostly talked, drew fire from all directions, while Neeman, who mostly acts, has hardly anyone speaking out against him. The “sons of light” who fought Friedmann have fallen silent in the face of Neeman’s acts.
(…) The Supreme Court now appears to be the settlers’ next illegal outpost. They will get their wish, nothing will stop them. This couldn’t happen in a state of law. We’re not talking about the candidates’ opinions or religion – those have a place on the Supreme Court. It’s not their skullcaps that threaten the rule of law, but the bulldozer that built their illegal homes. The fact that they are settlers automatically disqualifies them from a judge’s position. (…) But the complaints should not be aimed at them. They’re doing all they can, according to their political strength. The problem is, as usual, the silent majority enabling all this.
(…) Had Supreme Court President Dorit Beinisch been courageous enough, she would have stood up and said the Supreme Court has no place for lawbreakers – and the settlers are lawbreakers. Even so, the Supreme Court has its share of severe defects. It has systematically betrayed its duty in its verdicts on the occupation. (…)

See… What I predicted is actually happening now. See… all those comical figures, starting from Bibi’s DM Barak, who stood against Prof. Daniel Friedmann in their loudest voice and with a will of iron… only to protect their CORRUPTION in front of ISRAELI SUPREME COURT PRESIDENT DORIT BEINISCH, NEVER dare to speak out in this case, which will undoubtedly ruin Ahron Barak’s legacy.

I am NOT a sexist nor belong to Academic women fight back against ‘sexist’ Silvio Berlusconi (Jun 22, 2009). (Perhaps, if this Bologna female professor could solve my b*tch problem in her town, I might join her ‘ideology’.) I grew up in FEMALE entertainment department, which used to disguise itself as something-ACADEMIC. And I know their personality very well.

Above article was another reason of my project, NO-BEINISCH in Israeli Supreme Court. Sorry about saying this, but my lifelong experience and then years of my work as a Knesset-Watchdog tell me that still… NONE of Israeli females have guts to stand against all those Corruption and Settler’s ‘Planned(?)’ Violence. Not yet… This is why President Peres or even Bibi’s DM Barak is so sure of his victory in coming election if I keep my computer work while openly calling Kadima’s Livni a GIRL.

I’ve been worried. I now worry more, because I read that DORIT BEINISCH has ‘intentionally(!)’ chosen her female juniors to fill all the empty spots. And I promise. NONE of those females will prove enough courage to prove Ahron Barak’s real(?) ideology. This has nothing to do with the very fact that DORIT BEINISCH started her life as Ahron Barak’s Bimbo. However… no matter what… this has been none of my business. My only business is Daniel Barenboim without this disgusting female, DORIT BEINISCH.

(Updated on JUNE 25, 2009) – BREAKING NEWS – 3

Anatomy of Berluscoland Jun 7, 2009 / By El País (España)
(…) The arrival of television veline to politics, the origin of this moral crisis, is the inevitable consequence of History and the system. Forza Italia has never been a party, but rather a group of tifosi, of employees bossed around by Dell’Ultri who in 1994 hired Publitalia’s whole secretarial staff in a hurry in order to fill the lists in time.
Its successor, the People of Libery, is not a party either, but rather a flood of middling advisers, submissive managers and pretty faces with no tradition, ideology or base. Television and propaganda are the only policy; and politics is acted out on television. Italy is still a paradise for those with connections – those who have no friends are orphans – and the great electrical engineer is called Silvio. Silvio aggiustatutto.

http://www.guiadelocio.com/superespeciales/mostrarespecial.cfm?id_super=26118
Barenboim en la Plaza Mayor: Los Veranos repetirán un año más su habitual cita con el director Daniel Barenboim, que el próximo 5 de agosto volverá al escenario de la Plaza Mayor al frente de la orquesta West-Eastern Divan, integrada por músicos palestinos e israelíes, para interretar un programa compuesto por Les preludes de Liszt y la Sinfonía fantástica de Berlioz. El concierto, como marca la tradición, es gratuito.
Copyright 2008 Taznia Media S.L• Contáctanos ; sugerencias@guiadelocio.com

🙂 From Section: Italy-Belcanto > JIWON: I can’t help writing… (Tristan/Scala-2007, German Sound, Wagner and Belcanto)
ENTREVISTA: WALTRAUD MEIER Soprano dramática Jan 27, 2008 / By Spanish Media
(…) La cantante alemana de ópera, máxima especialista en la obra de Wagner, llega al Teatro Real de Madrid para representar el papel de Isolda, con el que triunfó recientemente en la apertura de temporada de la Scala de Milán. (…) Trabajar por ello. Los italianos, por ejemplo, confunden el amor con la pasión, yo no creo que sea lo mismo. Tampoco Wagner lo veía así. Para él existía un estadio del amor que producía un auténtico placer en la compenetración de formas de pensamiento, en la manera de ver la vida. [P. ¿El orgasmo intelectual?] – R. Eso es. Así es. (…) [P. En Alemania, ¿conserva Wagner el peso que ha tenido históricamente?] – R. En mi país, Wagner se está desdibujando. No se le entiende con profundidad en muchos casos. Me encontré una señora en el metro en Múnich que me reconoció y me dijo que ya no se le entendía bien. Le propuse que escribiera una carta al director de la ópera y me contestó que ya lo había hecho y que le habían contestado lo siguiente: “Señora, estamos muy satisfechos de que no le guste a todo el mundo”. ¡Hay que ser arrogante y engreído!

WOW! I accidentally found out this Spanish article while searching for the exact language, ‘Sexist and Berlusconi’. See… This is exactly same as Waltraud Meier’s Spanish Interview, isn’t it? I am not an Italian, nor a member of Il Popolo della Libertà (PdL)… But am I insane if I say that this expression ignites my (unreasonable) anger? WOW!

What I feel funny while reading this article is that this is exactly how I used to analyze Zapatero’s government, who answered that his foreign minister can’t read my Barenboim-message written in English and then intentionally(!) turned his whole country into huge junk yards under the title of ‘Dmitri & Elena Bashkirova’. And this article is written in English. Perhaps, I should check this analysis with Zapatero’s rival politicians. Anyway, those Spanish Pigs will have to solve my problem first by reporting Barenboim’s WEDO 2009 in their most detailed articles. We’ll see. I am now thinking to seek LEGAL advices from Italian Politicians.

(Updated on JUNE 25, 2009)
FINALLY RETURED TO THE ORIGINAL MESSAGE… and already tired…
http://www.danielbarenboim.com/performance2009-3009.htm

Please ask Gidon Kremer to publish Bashkirova’s lifelong performance schedule. How many GREAT maestros accompanied this whore? Among them, how many maestros were running their own opera/symphony orchestras? Among them, how many maestros have offered Maestro Barenboim good opportunities to communicate with their employees? How many maestros have accompanied Pianist Barenboim in their headquarters? NONE! They were only busy at stealing Barenboim’s hard working.

IT’S STILL OK.

But then… not only those human trashes took advantage of Barenboim’s miserable life since du Pre’s wheelchair period, they also blocked all the entrances to Barenboim and then allowed this conductor to play for their members only or only allowed Pianist Barenboim to accept the invitation into their members’ headquarters, where local politicians would welcome Barenboim’s protégés: Starting from Bashkirova’s Poop, Ex-member of Rattle’s BPO, who is now starting his conducting career as a husband of Israeli musician. I wanted to ignore this sh*t until this trash rushed to Barenboim’s Qatar and sold Barenboim’s Arab fame… after my hard working in Egypt.

Barenboim’s only answer… “Thanks for filling my performance schedule. I was very lonely.”

We’ll see… if Maestro Franz Welser-Möst would offer his Cleveland Orchestra to his ‘favorite(!)’ maestro Barenboim. Please check his Austrian interview. He mentioned ‘wunderschönen’ Barenboim and then chose Lissner’s Kundry… just for ONE day. ^.* (Please check my (old) writing about Cleveland musicians, whose personality made me cry and keep doing this work… After this open analysis, they quickly chose this maestro instead of Barenboim… and their former, ‘impotent’ maestro rushed to Zubin Mehta and Elena Bashkirova. And then, he destroyed Barenboim’s Staatskapelle… instead of recovering its original German(?) sound, just as he crushed all those secrets of Cleveland Sound.)

(Updated on JUNE 26, 2009)
http://www.google.com/search?hl=en&q=LISSNER+MORATTI+2013 Nov 17, 2008 / By International Media
Stéphane Lissner has extended his contract at La Scala through 2013. (…) Lissner is not going away, the Mayor gave him a lot of power. Other managers have less power than Lissner in Milano. At least 2015 (…) EXPO (…)

SO… IT WAS ON NOVEMBER 17, 2008.
Do you really think this stupid Brazilian girl is a pure, innocent victim?
There is a LEGAL institution called the Brazilian Government. And Spanish Barenboim will soon start his Latin tour. We’ll see.

1. JUNE 14, 2008: Glauce Kalisch launched Waltraud Meier Blog: Who am I? Am I a Brazilian in Paris?
2. JULY to AUGUST, 2008: WEDO 2008
3. NOVEMBER 17, 2008: Stéphane Lissner has extended his contract at La Scala through 2013
4. DECEMBER 16, 2008: My official(?) contact of Silvio’s Government started. JIWON: Howdy Partners! (Zeffirelli, Imola, Bel-Canto and Eurotrash)
5. DECEMBER 24, 2008: Salzburg Festival’s Flimm to Head Berlin State Opera
6. DECEMBER 28, 2008: Glauce Kalisch started her job in WEDO’s FACEBOOK: WALTRAUD MEIER and FOLKS joined.
7. JANUARY, 2009: Bashkirova’s Italian tour supported by WEDO’s special performance schedule. And Italian Musicologist joined Bashkirova. Who this Italian pig is working for? Zubin Mehta or Riccardo Muti? So far… Zubin Mehta is behind this Lissner-project. With NO doubt, this ACADEMICIAN will have NO ear and won’t be able to live without Meier’s ACTING in Mehta’s WAGNER.
8. APRIL, 2009: EVERYBODY, including Beth Schuman or Henry Fogel in Chicago, is busy before/after Barenboim’s Cairo Scandal.
9. MAY 19, 2009: La Scala’s Lissner failed in Salzburg (… after failing in Berlin…)
10. AROUND & AFTER JULY/AUGUST, 2009: EVERYBODY sticks around MICHAEL BARENBOIM. NO ONE plans to give up.

MILAN MAYOR LETIZIA MORATTI DID A TERRIFIC JOB. ^.*
PLEASE… THIS IS NEVER A SARDONIC SMILE.
IS THERE A BETTER FIGURE THAN THIS FRENCH SH*T FOR YOUR UNDERBUDGETED LA SCALA?

Salzburg Festival’s Flimm to Head Berlin State Opera Dec 24, 2008 / By International Media
Flimm leaves the Salzburg Festival to become general manager of Berlin’s famed Staatsoper. He’ll face two obstacles: a cash-strapped German capital and Daniel Barenboim. (…) Berliner Staatssekretär für Kultur, André Schmitz had offered the position to Flimm — they once worked together at the Thalia theater in Hamburg. (…)

TV producer Martin Hoffmann named new Berlin Philharmonic director Jun 19 2009 / By British Media
(…) But there was also support. Berliner Staatssekretär für Kultur, André Schmitz voiced his endorsement of Hoffmann. In 2010, with Martin Hoffmann, a media professional and internationally lauded networking manager will take over the directorship of Germany’s most important orchestra. Following Rosenberg’s lead, he will build and further open up Berlin’s top orchestra to new formats, audiences, and backers (…)

INTERESTINGLY,
Whenever I pick up something-GOOD from the German Sound, which was born my eternal love but kept dumping me during the open courtship,
(SIC!), this name, Berliner Staatssekretär für Kultur, André Schmitz, appeared. Is it coincidental?

My only problem with this German politician is that it is literally painful to watch(!) André Schmitz’s Berlin Philharmonic on TV. Whether or not Sir Rattle is famous for his British patriotism and his BPO’s German sound has been bogged down in the bottomless swamp, which destination is still unknown and undecided, it is painful to watch their trashy body language. What is he going to do on this issue? *.* It would have been perfect if this German soul has ears to analyze MUSIC of his precious Berlin Philharmonic. It will be anyway very interesting to follow their commercial projects. Always, those folks have done what I wanted to do with MY orchestra… starting from Digital Concert Hall…

Please check
🙂 From Dear-Arab-Readers > Dear Arab Readers: LAST of All
1. JIWON: Nationalist-Government is My Most Favorite. WHY is it a bad idea? It should be good for Israel!!! (May 31, 2008 to Present)
2. JIWON: Weirdly, I agree with Likud on this subject. *.* (Jun 24, 2008 to Present)

Aharon Barak: W. Bank is occupied territory Jun 25, 2009 / By Jerusalem Post
Aharon Barak: Have you ever seen me criticizing my girl, Dorit Beinisch? I just feel lonely and impotent Jun 25, 2009 / By Jerusalem Post

IN BARENBOIM’S ISRAEL,
This
FEMALE LIKUDNIK, who registered her bill on Hebrew Language after accidentally being invited into Barenboim-Scandal by denouncing this naïve musician as ‘A REAL JEW-HATER, A REAL ANTI-SEMITE’, is simply NOT allowed to do anything for the Israeli Culture as long as DORIT BEINISCH is alive in Israeli Supreme Court.
Poor woman… Poor politician… Poor Cultural Minister…

NOW, WHAT ABOUT ITALIAN COUNTERPART?

Ballarò, come non lo avete mai visto May 29, 2009 / By AgoraVox Italia ‎
Il primo argomento è lo “scandalo Minor”. Parte subito all’attacco Ezio Mauro, direttore di Repubblica. Sandro Bondi non ci sta alle domande, a suo parere, indecenti e allusive, ribadendo che il rapporto tra Berlusconi e Minor e’ “basato sulla purezza”. Risate in sala. (…)

Berlusconi: Vita a Bondi, inedito ministro cultura contro giornali Jun 22, 2009 / By Agenzia di Stampa Asca

Ho-Ho-Ho! Ha-Ha-Ha!
Our Italian Cultural Minister is simply too busy. No time to think of Italian Culture.
Poor guy… Poor politician… Poor Cultural Minister…
See…
BANDANA FESTIVAL AT LA SCALA is the only solution. Don’t you think so? ^.*

TIME TO GIGGLE

Wife puts Berlusconi on the defensive Jun 4, 2009 / By International Media
Media group (La Repubblica) to sue Italy’s Berlusconi Jun 25, 2009 / By AFP
Italians love me just the way I am: Berlusconi Jun 25, 2009 / By AFP
Berlusconi said: “I have never seen the satisfaction that there could be in it without the pleasure of conquest. (…) Someone gave a very precise and extremely well paid mission to this CALL-GIRL.” Asked whether he was aware that CALL-GIRL worked as an elite escort, he replied: “If I suspected someone of such a thing, I would keep her thousands of kilometres away.” It was Berlusconi’s first specific comment on the probe, having earlier dismissed the scandal as “rubbish.” (…)

SCARY… really.
And I am now busy at following this case, since my decade-long wish was to start LEGAL action against all those SH*TS, starting from Henry Fogel, the former president of the Chicago Symphony Orchestra.

But I just can’t understand what’s going on here. In my view, this story should have ended on June 4, when this ONE family came up with ONE solution. See… Whether Mr. Silvio did IT or not… ^.* (Grandpa Silvio ‘is the most impotent man’ in the world, because… (Jun 4, 2009)) ^.*… this is exactly what I’ve been suspecting during this scandal. This is a CALL-GIRL, and then she must have an endless list of her CUSTOMERS, part of which must have belonged to the LEFT-wing politicians, and then public has a right to know EVERYTHING, since this CALL-GIRL wants to reveal all the secrets of her professional business. Is there a more fun stuff than this one? And then, what is she going to do after tonight? Is she going to change her job? Or has she gathered enough fortune during this scandal? It’s a real fun to figure out if Mr. Silvio did IT or not… but this female really stinks. Is it illegal? This case is clearly different from the Asian one… (They do everything all behind the scenes… without spending their own money. This is sort of illegal or raping. In fact, there is one huge scandal going on in this country after one female entertainer’s suicide.)

Italians love me just the way I am: Berlusconi Jun 25, 2009 / By AFP
Berlusconi said: “I have never seen the satisfaction that there could be in it without the pleasure of conquest. (…)”

Berlusconi: Falsehoods will be revealed. Legal action? Maybe Jun 25, 2009 / By AGI – Agenzia Giornalistica Italia
(…) Berlusconi continued, saying “Some of my dinner parties though, have been quite fun. I’m a great entertainer, that I can say for certain. We made a mistake in inviting one of our guests, and that guest made a mistake bringing his guest… [Might increased security have helped?] I am who I am. I was made like this, Italians want me as I am. I am sincere and loyal and I keep my promises. There will not be increased controls, life is great as it is.

Ho-Ho-Ho! Ha-Ha-Ha!
This Italian guy NEVER betrays my analysis. Please check my previous message on May 22, 2009. See below… far below.

🙂 From my previous writing.
JIWON: I am FINALLY on my way to German Government… more precisely to the City of BANKRUPT Berlin. I just stop by Italy. No special reason. Since I am tired out, I just needed time to laugh. (…) Hungarian born American Legendary Maestro Eugene Ormandy (…) Now, here is my concern. (…) MAHLER (…) Somehow, I can’t help suspecting if Italian Silvio is a twin brother of Daniel Barenboim. I mean… ‘just busy at pumping…’ *.*
NEW book released: Priest to Catholic Couples: Nothing Wrong With a Steamy Sex Life
http://www.google.com/search?hl=en&q=MULTI+ORGASM
Anyway… LONG LIVE MR. SILVIO BERLUSCONI!

DEAR ITALIAN CRYING BABIES,

Please check
🙂 Dear-Arab-Readers > Dear Arab Readers: Seventh of All
(Updated on AUGUST 24, 2008)
♥ PART 2, TIME for BIBI’s PORN-VIDEO ♥
JIWON: Below is part of my mail to Knesset on Jun 13 (…) “Netanyahu: If I’m PM, I’ll urge Zionist parties to cooperate against Gaza. See… This is exactly how my English skill told me when I found Olmert’s ‘original’ thought about Gaza plan. Then, it was all messed up solely thanks to the daily hard working of Bibi and his Jewish soul-mates with their getting-louder speakers. Poor Bibi… Hum… Israel without Bibi? It will be damn boring. I am now thinking to save Bibi’s poor life if this comical figure falls into the same situation. How many articles will be written to cruelly depict all the details of his private life? All of them will be real fun stuffs. Can’t he just shut up and wait till I finish this writing? ^.*” (…) Weirdly enough, I couldn’t find Bibi’s big mouth again since this mailing. Mr. Netanyahu, who never gave up his duty as the opposition leader despite of all my hard working, including creating this section, Phoenix-Bibi, suddenly disappeared from the public scene.
🙂 HUM… MY CURIOSITY EXPLODED. ^0^
🙂 Collection: May I watch Bibi’s Porn-Video? Please… (Sex, Lies, Videotape, & BIBIGATE)
HA-HA-HA… HO-HO-HO…
IF YOU LET ME WATCH BIBI’S PORN-VIDEO, I PROMISE… I WILL RISK MY LIFE TO SAVE BIBI’S POOR LIFE WHEN PM-NETANYAHU FALLS INTO THE SAME SITUATION AS PM-OLMERT’S. HA-HA-HA… HO-HO-HO…

PLEASE,
I promise that I will work for you just as I am doing for Mr. Silvio now. Just think of the most effective way to topple Silvio’s Government. How come I’ve never heard of you criticizing this disastrous Economic situation and suggesting a better idea?

Jesus… My Egyptian visit was accompanied by so many joyous songs that it was real hard to resist strong temptation to be involved in Toward-Post-Mubarak Politics. Please, working as a Knesset-Watchdog already requires all my brain power. Too much is too much. I am only going to join the Italian Culture. Perhaps, if Berlusconi-Jokes is more than Knesset-Jokes, I might change my job. Who knows? ^.*

DEAR ITALIAN POLITICIANS, all of whom are dreaming of becoming another SILVIO,

NOW, DON’T YOU THINK IT IS TIME TO SERIOUSLY THINK OF HOW TO ANSWER MY Quiz?

(Updated on JUNE 29, 2009) – BREAKING NEWS – 1

🙂 From The Art of Criticism > Voice
🙂 Barenboim: Anna Netrebko
JIWON: Finally, I found you. Your recital with Elena Bashkirova. I’ve been suspecting this partnership since the moment I found you from Waltraud Meier’s private-connection. Are you also going to join Jerusalem Festival as a special guest? And I was waiting for this performance because you will sound worst in the Russian repertoire and this Russian whore will make you even worse… or hopeless. And then… I am NOT allowed to criticize Barenboim’s diva, especially in this situation, no matter how much she stinks. Could you please, please record this performance? (It would be perfect if Bashkirova posts this video-clip on Youtube.) Sorry about saying this… but there was NO exception in Bashkirova’s case, and I don’t think you used to treat yourself as another Callas. THEREFORE… I’m now suspecting if your professional career is already dying after having a baby. I now know why Foruminte questioned about your Lucia at La Scala… (I even suspect if Barenboim himself wanted to find a good replacement through my open insulting your Bashkirova-recital.) I feel funny… because I always wanted to help you since the moment I heard your voice and your personality (…)

Will she answer me?
Will she insist that she didn’t check her Facebook mailbox until her Barenboim-concert at
Salzburg Festival? Curious…
I’m pretty sure that Daniel Barenboim is behind this Bashkirova-Netrebko recital after checking all the rumors about her recent performances. Now that this naïve musician is so worrying about Chorus of ‘BUUUUU’ from La Scala’s Die-Hard Loggionisti… True that I am here to protect poor singers at La Scala. But at the same time, I can’t help suspecting if those Die-Hard Loggionisti are sick of listening to Russian Voices killing Italian Repertoire while they royally fail to pick up the hopeless Wagnerian voices, which characteristics are all same. What a weird human nature…

(Updated on JUNE 29, 2009) – BREAKING NEWS – 2

$has MK/Rabbi Benizri: Homosexuals caused last earthquake Feb 20, 2008 / By Jerusalem Post
$has ex-MK Benizri jail term increased to 4 years ($has backs Rabbi Benizri) Jun 25, 2009 / By Jerusalem Post
Is disgraced ex-$has leader Aryeh Deri planning a political comeback after finishing his jail-term? Jun 25, 2009 / By Jerusalem Post

SO… it was since Feb 20, 2008 that I’ve chained to the Israeli Politics instead of giggling at my casual work to update Knesset-Jokes. This case reminded me of jail-term of poor Korean musicians in poverty-stricken, powerless brass section while all those real-corrupt elite musicians are still(?) alive in this bourgeois society. This is how I got involved in all my previous writings… sigh;
🙂 Dear Berlin Mayor and President of Supreme Court of Israel (Apr 22 – May 15, 2008)
🙂 Dear-Arab-Readers (May 28 – Sep 2, 2008)

Under normal circumstances, I will be the first one who wants to support this $has Rabbi Benizri, who never dares to mention prime minister Netanyahu and HIS supreme court even after receiving this legal verdict. BUT… after being sick of Phoenix-Bibi’s $has party, which wanted to and did receive everything for nothing, I lost all my interest in this poor Kippah wearer. Now, I don’t expect the $has leaders to prove the real spiritual leadership and to finally make them out of Phoenix-Bibi’s slavery. At least… when are they going to send their kids into the Jewish army? Anyway, I now know, after creating Kippah-I & Kippah-II, that this Rabbi really believed Homosexuals caused last earthquake. *.*

Mofaz (Kadima No.2) seeks (again) to bring Kadima into the coalition Jun 26, 2009 / By Jerusalem Post

Then… this petty thing. (…this English is exactly not what I wanted to find to describe this politician, Kadima No.2. There is a word in Korean…) This ‘좀팽이/쫌팽이’ resumed this stupid business again! Has this Kadima leader forgotten how Phoenix-Bibi’s $has and their religious FOLKS destroyed HIS vision of Jewish State? Sorry… but this is not a leader figure. Interesting is that Ramon (b.1050) sounds qualified only when he is paired with Prof. Friedmann (b. 1936). So, I was surprised at finding the huge age-gap between the two. Still, I can’t understand how this truly-unhandsome-homosexual-type guy could cause Frenchkiss-scandal… more exactly speaking… SEX-CRIME, according to BEINISCH’S HAARETZ. Please look at his lips. Can he play the French Horn? Do you want to kiss him? Brrr…

US professors: Support for Israel eroded Jun 29, 2009 / By Jerusalem Post
(…) There was a time when Israel had a near-monopoly on [the human rights issue]. And that’s long ago gone. The human rights issue has become as large, for many people, as the security issue. (…)

Aluf Benn to Kadima’s Leader: keep this up and do not be drawn by silliness Jun 24, 2009 / By Haaretz
To opposition leader Tzipi Livni: Your “angry” games of opposition versus coalition are unnecessary, misunderstood by the public, and have pushed you into a corner as a small-time politician – where you should not be. You started well as a stateswoman, so keep this up and do not be drawn by silliness. The small-time politics and your focus on Knesset regulations should be left to Haim Ramon, Tzachi Hanegbi and Dalia Itzik; it would be best if this were done behind the scenes and not on prime time. Preserve your integrity for public struggles, in which it is clear who the good and bad guys are. Otherwise you’ll be humiliated. (Haim Ramon to (temporarily) quit Knesset, but remain as Livni’s advisor)

(Updated on JUNE 29, 2009)
FINALLY RETURED TO THE ORIGINAL MESSAGE…
DEAR ITALIAN POLITICIANS, all of whom are dreaming of becoming another SILVIO,

PLEASE LOOK. THIS IS YOUR FUTURE.
THIS IS YOUR FUTURE ITALY WITHOUT BERLUSCONI.
Do you think the Peace-loving LEFT-wingers are able to conquer the whole country once Silvio is gone? How many Israelis are still missing BULLDOZER ARIK? I am the first one… As much as I am sick of Phoenix-Bibi’s $has and their religious FOLKS… concerning Money/Army-business, I feel pity on those Kadima members, who simply don’t know where to go without Sharon. If I were the opposition leader Livni,
I would treat prime minister Netanyahu as my adolescent kid and encourage his stealing my ideas more and more so that Bibi should suffer this term, ‘Complete Settlement Freeze’, before I do. It’s still OK that In Israel, any politicians who support this word are doomed to fail. But why no politicians ever want to mention Phoenix-Bibi’s disgusting deal with $has party? Hasn’t this completely destroyed the pure Jewish State? Isn’t this still an on-going-&-never-ending story? Is Bibi going to be the first one, too, who ‘secretly’ approaches $has’s leader Yosef’s Yishai’s political rival Deri while Arik’s princess(!) Livni keeps her haughty attitude (again) either toward Yosef’s Yishai or toward Deri?

DEAR ITALIAN POLITICIANS, all of whom are dreaming of becoming another SILVIO,

NOW, DON’T YOU THINK IT IS TIME TO SERIOUSLY THINK OF HOW TO ANSWER MY Quiz?
IMPOSSIBLE TO SOLVE THIS ITALIAN QUESTION?
THEN WHAT ABOUT THIS?

It would have been perfect if La Scala’s Lissner had ears… ears to analyze MUSIC of his precious La Scala. Please look Barenboim’s Staatskapelle. How do they sound now after all those GREAT(?) maestros enjoyed stealing Barenboim’s hard working in the name of Elena Bashkirova?

3 SCENARIOS FOR MILAN MAYOR LETIZIA MORATTI
No. 1: “This French idiot has never known me. I am the Mayor of Italian City No.1. This sh*t dared to have a game with me and think of me as his bimbo? We’ll see. Elena Bashkirova? That B-I-T-C-H?
No. 2: “I care nothing. I don’t like that opera thing. What a boring stuff all that something-classical! My only concern is my victory in the coming election. Lissner did a terrific job to bring Maestro Abbado. His
TWO-MILLION-EURO TREES will make all those poverty-stricken LEFT-wing bloc voters accept me… finally. Is there a way to make this Italian LEFT-wing politician a permanent Music Director of Lissner’s La Scala?”
No. 3: “I am a core Italian. I hate foreigners. I just hate them. That French? That Jew? That Korean? When will I be able to kick all of them out of my country? Sigh… I still remember what horrible days I had to suffer during the Muti-Scandal. I hate being involved in any of that stupid fighting. Let’s just wait…”

FOR MONTHS, I’VE BEEN PRAYING MILAN MAYOR LETIZIA MORATTI TO BE NO. 1

Whatever her intention was… she did a terrific job, and I feel no need to stand against her decision. I am done with Daniel Barenboim, and I will keep my promise to the Italian Politicians.

PLEASE LET ME JUST HOPE THAT MILAN MAYOR LETIZIA MORATTI WAS, IS, AND WILL BE…

How old am I? Throughout my life… wherever I went, I worked like a dog. And then… EVERYBODY, including Dale Clevenger of the Chicago Symphony Orchestra, had suck all my bloods, all my brains and achieved what they wanted to achieve but couldn’t achieve throughout their lives, and then kicked me out of their kingdom. They even tried to crush me out of existence. Dale Clevenger did it twice… with and without Matthias Glander. How many times has Zubin Mehta done? Ask him.

NOW, IT’S MY TURN.

DEAR ALL ITALIAN POLITICIANS, from all sides… except Zubin Mehta’s LEFT-wing corrupt things (Do they have money by the way?)

Don’t you think you want to join me? Whoever he is… whether Barenboim or Lissner… this is how those Foreign Pigs used to act high-and-mighty. Have they achieved IT all by themselves? Whose ideas… how many ideas… how many people’s ideas have those human trashes stolen?

Please check
🙂 From Italy-Belcanto > Barenboim and La Scala > Stephane Lissner and La Scala
🙂 Franz Xaver Ohnesorg, Gidon Kremer, Dmitri Bashkirov, and Dorit Beinisch (JIWON: This collection is not finished. I’ve been too tired to mention this sh*t.)
(…) Carnegie Hall (…) However, many in Berlin were reportedly upset by the aggressive and abrasive managerial style that had made Ohnesorg a star when he ran Cologne’s Philharmonie hall. Just one day before his resignation, Ohnesorg appeared in court as private concert agencies accused him and the Berlin Philharmonic of unfair competitive practices (…) He stood to profit on a grand scale from the Deutsche Bank to increase fund. But the degree to which that and other sponsorship packages were the result of Ohnesorg’s personal efforts was seen as debatable. (…)

ISN’T THAT INTERESTING?
Stephane Lissner AND Franz Xaver Ohnesorg.
THEY WERE TWIN BROTHERS…

No matter what… Stephane Lissner wants to work and all his friends want to support him… and now… it is not a story behind the scene any more. Then, why don’t we make those foreign pigs work like a dog until their contract expires and leave Italy as quietly/noisily as possible? Who knows? We can even make them exhausted before THE DAY. Please check Lissner’s interview, in which this genius guy boasted that his last year’s contract is nothing special. This guy needs more work. Just try to balance the budget… I mean… trim your budget in the most effectively way. Hold it tight… as effectively as possible

Please check
🙂 From Participants in Lissner’s SEX-scandal at La Scala
Participants in La Scala Season 2008-2009

ALL LISSNER’S FRIENDS HAVE COME TO LA SCALA FOR NOTHING.
STILL… NOT ALL BASHKIROVA’S MUSICIANS HAVE COME. THEY WILL COME.
EVERYBODY WILL COME TO LISSNER’S LA SCALA FOR NOTHING.

However… there is something you should do before kicking those human trashes out of your beautiful country. I think the main reason why French Lissner was able to succeed in proving his ability to run his Italian Company was that unlike Italian Boss, this French guy had no intimate personal relationship with Italian employees, and therefore, was able to cut, cut, and cut anything, anyone… as many as possible.

HOWEVER… was it possible without my sudden, unexpected involvement? Please ask the Union who and what they are afraid of more. My open analysis or Lissner’s ‘aggressive and abrasive managerial style’.

Why don’t you take advantage of all of these? If there is something that you want to take from Lissner’s professionalism, take it. Take everything. Suck all his bloods. Suck all his brains.

Then, find the proper Italian, whose Italian cultural taste you can appreciate. Remember? I did write that… “I was NOT born a beauty, NOR a legendary musician. But God gave me ONE gift. I have an ability to work with anyone and I enjoy this situation.” I can work with any of your choice while appreciating the reason of your choice.

http://www.google.com/search?hl=en&q=Muti+Scala+Scandal

Still, I can’t understand the exact reason of cracked relationship between Maestro Muti and GM Fontana. For example, I don’t trust everything in The New York Times article or British media. It’s just my decade-long habit since the moment they started playing the game with me. In my view, Franco Zeffirelli summed up the situation. And then… it seems that all those unbelievable happenings, such as orchestra member’s mutiny against their Maestro or all the possible politicians’ active involvement, are rather secondary happenings… no matter how severe they became.

Recriminations fly as crisis engulfs La Scala Mar 3, 2005 / By Guardian
Franco Zeffirelli said the main reason for the latest crisis was that the ousted general manager had “wanted more popular pieces and Muti didn’t find popular pieces attractive”.

This is where I want to stop. This is where I want to ask EVERYBODY one thing. This is also where I want to raise an issue. An internationally renowned, first-rate indeed, opera house without a certain criterion… nor with a certain quota?

🙂 From The Art of Criticism
🙂 Peter Senge, Sergey Brin’s 70/20/10 Rule, Peter Schwartz Nov 28, 2007
The 70 Percent Solution. Google CEO Eric Schmidt gives us his golden rules for managing innovation Dec 1, 2005
(…) One rule was handed to him by Brin and Page when he walked in the door: Don’t be evil. The other one is a formula he uses to stay on track while innovating: Spend 70 percent of your time on the core business, 20 percent on related projects, and 10 percent on unrelated new businesses. (…) But as you’ve grown, outsiders apply their own view of what is evil and use it to point out your company’s flaws. There’s nothing wrong with that. We believe in that sort of criticism. But the way “Don’t be evil” works is no different from pulling the rip cord on the Japanese assembly line. (…)
JIWON: My last word:
Barenboim’s VPO has the string section sound. Unlike the Divans, members of his Viennese band are sensitively reacting to it, and therefore, they sound below their average. God knows that I’m not talking about their technique. Since the members became so sincerely engaged on Barenboim issue, I was not sure of my ears. It sounded fine, yet didn’t awake me up, so I had to check my theory. If there is something wrong in my analysis due to my jealousy, I should have wanted to listen to it again and again with no sense of boredom. Ten times, at least, over and over again. Couple of time was enough.
A week later, I wanted to check others’ reaction. Unlike me, who listens to everything and frequently got confused about my own ears, not ensemble technique but the basic sound is what forumites usually follow as long as the performers make no mistake. There was nothing from the days of Barenboim. Someone deleted it, or no one was interested in Barenboim the conductor, or even Barenboim as a peacemaker. I don’t think my analysis lacks something important. According to my rule, this is X% : Y% : 0% of performance.
This has been Barenboim. Whenever the orchestra members follow Barenboim with no desire to lead their maestro at the same time, they are falling down. Barenboim’s BPO in old days is the best example. However in those days, there was a room for improvement because it sounded imaginative and forward. Then Waltraud Meier started to sing… speechless.
I now can fill my blog.

It’s time for me to temporarily forget my private opinion about Riccardo Muti. (I am presently v-e-r-y mad at this guy, who seems to enjoy my miserable situation and take advantage of my computer work for his brilliant professional career and easy-going life and so on and so on… Christoph von Dohnanyi apre le sinfonie di Ravenna Festival (Jun 27, 2009))

As a musician, I do respect Maestro Muti. While watching recent performances of http://www.filarmonica.it/, it was clear that Lissner has been destroying Muti’s decade-long hard working for such a short period. Hadn’t I read orchestra members’ direct opinion against their Autocrat-like Music Director, I would have sided with this maestro in the most perfect way whenever it came to MUSIC. Still, my only problem is his troublesome relationship with the orchestra members. I want to listen to different opinions from both sides while listening to their MUSIC. (But then… don’t you think Maestro Muti should thank the CSO’s former Music Director Barenboim for re-building Solti’s band? He has never heard of MUSIC of Self-Destruction when he arrived in Chicago. I believe… this is the right attitude as the first-rate maestro. ^.*)

Quite naturally, I do know what Maestro Muti wanted. I also read one more happening, which occurred before Muti-Scandal. It was his choice of work by Antonio Salieri during the opening ceremony. Though I know nothing about this kind of MUSIC, I can smell his artistic desire as a mere musician. And this is what he said:

Highbeam: Milan’s Muti sings about opera rumpus Mar 9, 2005
“I was hurt, frequently having to hear unflattering comments (about La Scala) from the international community,” Mutt revealed in an open letter on the front page of Milan’s Corriere della Sera newspaper. “In the eyes of those people, I carried a considerable amount of the responsibility,” Mutt added.

WELL,
Maestro Muti is going to become ‘Autocrat’ (again) at Teatro dell’Opera di Roma. I believe… Maestro Muti can achieve what he wanted to achieve at Fontana’s La Scala. Why don’t we follow all his performance schedules either in Rome or in Chicago? To be honest, I am kind of mad at his different attitude, which suddenly sounds N-I-C-E while communicating with his orchestra members in Chicago. Are the members of http://www.filarmonica.it/ inferior to the Chicago ones? I don’t think so. To be fair, some of them are better.

ALSO… DON’T YOU THINK YOU SHOULD CHECK Participants in Lissner’s SEX-scandal at La Scala IN MUTI’S ROME TOO?

(Updated on JUNE 30, 2009)
🙂 From Dear-Arab-Readers (May 28 – Sep 2, 2008)
🙂 Beinisch Politics has nothing to do with LAW
Israel: Right-wing justice farther from Supreme Court than ever Jun 30, 2009 / By Haaretz

Please carefully read the article. Having different agenda still sounds OK. But then, everything should be handled in the open, fair way. If you were a right-wing Jew or even a religious Kippah wearer, would you be able to trust Dorit Beinisch’s Supreme Court or any of their politicians, all of whom are famous for CORRUPTION but always free from LAW? Presently, how many Israelis vote for Barenboim’s Meretz party? To be honest, Dorit Beinisch has been supported by Bibi’s Likud while Meretz’ Ahron Barak is called Beinisch’s mentor and is still(?) alive. Please check exactly who are behind this female jurist. I still didn’t get the exact reason of Benny Begin’s intimate relationship with Beinisch family. Is he going to be a father-in-law of Beinisch’s two daughters?

G8, Quartet demand settlement freeze June 27, 2009 / By Jerusalem Post
Why is Israel blatantly breaking U.S. rule on settlements? Jun 30, 2009 / By Haaretz
Even ardent Netanyahu supporters in Washington won’t accept new settlement building plan.

Supreme Court chief: Why won’t state demolish illegal outposts? Jun 10, 2009 / By Haaretz
(…) The state prosecutor’s office responded to Beinisch’s criticism by saying that the government was working according to the priorities set forth by DM Ehud Barak. (…) ANALYSIS / Evacuating outposts is easiest gesture (May 22, 2009)
Talkbacks for this article 8
2. How long will Dorit Beinisch remain at her post? 19:25 / redbourn – 10/06/09
3. better yet why do they allow them to rebuild? 19:50 / jim the mechanic
5. “racist policy as it targets only settlers” 19:56 / fritz t.
8. The Chief Justice doesn`t get it 20:37 / Mark Lincoln

While reading all the articles about Muti-Scandal, I’ve been suspecting this kind of story. It was easy to figure out… because Barenboim’s peace-loving, nice and gentle supporters’ favorite working style was always like this… always taking everything into the closed door behind the scenes. Please imagine what happened to Barenboim after all. I am now suspecting if ALL of those FOLKS’ so-called Peace-Advocating Campaign in the name of Daniel Barenboim was just one convenient way to survive in the international community.

Lissner’s Interview: Die Kritik des Kritisierten Jun 20, 2009 / By Kurier.at ‎

JUST IN CASE,
This is what this French genius, Stephane Lissner, did after I figured out everything. How come this human heart believes that I will accept his request to keep playing the game with me? He’s welcome to believe what he wants to believe. He can keep playing the game with me… but with NO food in his stomach.

IN FACT, ANYONE IS WELCOME TO BELIEVE THAT HE/SHE CAN KEEP PLAYING THE GAME WITH ME… BUT WITH NO FOOD IN HIS/HER STOMACH…
IS THERE SOMETHING WRONG WITH MY OPINION?

It would be terrific if Rome Mayor Gianni Alemanno (Alleanza Nazionale (AN) < Il Popolo della Libertà (PdL)) and his Teatro dell’Opera di Roma join the group.
It would be perfect if all the Italian Politicians & Musicians involved in Music in Italy join the group. (Zubin Mehta’s LEFT-wing corrupt things are NOT welcomed. PERIOD. They can do whatever they want… but with NO food in their stomach. Is there something wrong with my opinion? My only concern has been Italian Culture.)

THEREFORE,
My present writing has nothing to do with whether or not the NEW General Manager Catello De Martino will prove his skilled ability at Teatro dell’Opera di Roma.

It is still hard to understand Italian articles about Maestro Muti’s Teatro dell’Opera di Roma. Did Sovrintendente Francesco Ernani resign from the post or was he dismissed by Roma’s NEW mayor? Was he poor at managing bankrupt opera house? Was he a member of Partito Democratico (PD)? Until several days ago, I felt no need to print his name because I am not interested in Roma Politics. His interview just hooked me. That’s all.

Francesco Ernani: così l’ opera tramonta Jun 16, 2007 / By Repubblica
Tra i diplomati dei nostri Conservatori dell’ anno 2002, secondo il rapporto del Censis datato novembre 2003, solo il 30% risulta occupato con lavoro coerente. E il 56,9% si trova in cerca di occupazione o risulta inattivo. Si appalesa che non stiamo dando a chi si getta nelle braccia dell’ arte quel “raggio di fiducia e di poesia” che è per loro indispensabile. Ma è ancora più grave che non siamo in grado di valorizzare il capitale sociale del bene e del servizio che dagli stessi deve essere generato. Se si considera, poi, che la lingua italiana è ancora lingua franca grazie all’ Opera, non può essere accettato che la vita musicale del nostro Paese, possa perdere rilevanti aspetti della sua universale significazione.

By the way, I just found out his co-working with La Repubblica’s Bashkirova-lover, who intentionally supported this Russian whore for a certain reason. So… never mind. (It was in 1993, though…)

THEN, WHAT ABOUT VERDI EXPERT? DO I KNOW BETTER THAN YOU?

Please look around. Sooner or later, you will find too many Italian talents. It’s just a matter of time. Until then…

I will only communicate with Bruno Ermolli, Vice Chairman of La Scala. Should I talk to Ernesto Schiavi, Artistic Director of http://www.filarmonica.it/, too? What is his role in this MONEY business? I hate poking my nose into this free, relaxed business. I will only check Members of Bashkirova-Gang. I promise… the members of http://www.filarmonica.it/ will improve day by day, step by step.

Of course, I want Letizia Moratti, Chairman of La Scala. But this Milan Mayor just hated appearing in La Scala articles. I guess Ms. Moratti will develop a rare symptom of experiencing seasonal allergies. It will become so severe that even Abbado’s TWO-MILLION-EURO MAGNOLIA becomes highly allergenic and she can’t sleep with endless sneezing, itchy eyes, congestion and a scratchy throat, and sometimes, asthma episodes until the members of http://www.filarmonica.it/ want to cut their already-poor salary to find the best medicine to cure this rare disease.

HO-HO-HO! I LOVE JOKING! ^.*
I JUST IMAGINED MY SITUATION AS A MEMBER OF http://www.filarmonica.it/.

DEAR HORN SECTION OF http://www.filarmonica.it/,

Please check
🙂 From Participants in Lissner’s SEX-scandal at La Scala
Participants in La Scala Season 2008-2009

Please let me know if your BASSOON wants to play like Sir Rattle’s BPO’s Bassoon, Daniele Damiano, who belongs to Members of Bashkirova-Gang.

Have you ever seen this Italian legendary musician play in-tuned? Any Italian students, who want to follow in his footsteps, can join Sir Rattle’s Berlin Philharmonic. As a matter of fact, there will be ONE more opening for the BASSOON after his participant in DORIT BEINISCH’S JERUSALEM FESTIVAL 2009. BUT NOT http://www.filarmonica.it/. Don’t you think so?

3 SCENARIOS FOR MILAN MAYOR LETIZIA MORATTI
No. 1 & No. 2: bla-bla-bla
No. 3: “I am a core Italian. I hate foreigners. I just hate them. That French? That Jew? That Korean? When will I be able to kick all of them out of my country? Sigh… I still remember what horrible days I had to suffer during the Muti-Scandal. I hate being involved in any of that stupid fighting. Let’s just wait…”

WHAT IF…
WHAT IF MILAN MAYOR LETIZIA MORATTI IS NO. 3?

I promise… I will leave your Italy too once I finish this dirtiest business. I will leave your country as quietly as possible… as quickly as possible.
By the way, what was my original promise to Italian Politicians, who saved my hopeless situation during Bashkirova’s Italian tour? Why did I have to do this? As usual, Barenboim hilariously took advantage of my computer work and announced his Gaza-project. Then those f*cking Mideastern monkeys appeared in their real names… and with Mrs. Mariam Said… and announced THEIR Barenboim’s Gaza-project… along with their WORLDWIDE TOUR as a member of WEDO. Not surprisingly, Zubin Mehta’s Italian pigs worked harder than ever after receiving my Barenboim-message. We’ll see.

🙂 From Italy-Belcanto > Barenboim and La Scala
🙂 JIWON: Additional Message to Italy Jan 7 – Feb 27, 2009
(Updated on JANUARY 23, 2009)
JIWON: (…) I promise. I will only castrate Daniel Barenboim and La Scala’s principal guest conductor will have to appear in his nude until his contract expires. (I really appreciate female members in your orchestra. They are the best-looking females so far. I am sure they will welcome my decision.) Below is what I wrote and deleted and wrote and deleted… at the end of My Requests to Barenboim. (…)

This message quickly returned to me as Berlusconi criticised for ‘pretty girl’ rape comment (Jan 27, 2009). What a country!

Anyone who has been following my Barenboim-message is welcome to follow my further writings. I want to change my plan little bit. I will send a detailed report to the City of Berlin about how to FIRE EVERYBODY involved in this BIMBO-BATTLE, AFTER CONTACTING Ambassador of Israel to Korea. I want to finish my business with the Spanish Government first.

🙂 LINK WILL BE ADDED: SPANISH GOVERNMENT
🙂 Barenboim’s First Visit to Egypt: Part 3G (PS)

(Updated on JULY 1, 2009) – POST SCRIPT

Spain court drops ‘war crimes’ probe of 2002 IDF strike in Gaza Jun 30, 2009 / By Israeli Media

Barenboim fordert Ende der israelischen Besatzung Jun 30, 2009 / By Greenpeace Magazin
Istanbul (dpa) – (…) «Ich denke, es ist die Pflicht einer jeden Regierung, mit den eigenen Bürgern ehrlich zu sein», sagte der Musiker. Mit amerikanischen Waffen allein werde Israel keine Sicherheit erreichen, dazu sei eine Versöhnung mit den Palästinensern und den umliegenden arabischen Staaten nötig. «Der wichtigste Aspekt ist Gerechtigkeit», sagte Barenboim. Barenboim sagte, er wolle gern in Gaza spielen, um dem Menschen das Gefühl menschlicher Solidarität zu geben. «Der Besatzer ist zuständig für die Lebensqualität der Besetzten. Die Schulen und Krankenhäuser, die die israelische Regierung in Gaza hätte bauen müssen – es gibt sie nicht», sagte er. (…)

“Oper für alle” in Germany WITHOUT “Waltraud Meier” Jun 23, 2009 / By lifepr.de
“Staatsoper für alle” 2009 dank BMW Berlin MIT “Waltraud Meier & Meier’s Brangäne & Bashkirova’s Kurwenal” Jun 30, 2009 / By lifepr.de

TIME TO CHECK WALTRAUD MEIER’S BIG MOUTH.

http://www.waltraud-meier.com/html/e/frame_e.html last updated on Jun 22, 2009
Henry Fogel, the former president of the Chicago Symphony Orchestra, will openly say after a great success of WEDO 2009 in Spain: “Mr. Barenboim will NEVER betray Maestro Waltraud Meier no matter what…”
Remember? MICHAEL BARENBOIM was born before du Pre’s death, and therefore, Barenboim is doomed to fail whenever he faces international media’s obsessive professionalism. This boy’s Berlin teacher sleeps at my feet and promised me NEVER to teach du Pre’s ideal violin sound. Starting from British Prom’s Commercialism, EVERYBODY wants my victory! Cheers! Bottoms Up!

JUST IN CASE, BELOW IS MY PREVIOUS REPORT. PLEASE CHECK THE DATE.

🙂 From my previous writing.
(Updated on JUNE 19, 2009)
http://www.waltraud-meier.com/html/e/frame_e.html last updated on May 13, 2009
Participants in Lissner’s SEX-scandal
0. NOTICE: Waltraud Meier NOW wants to hide her ‘romantic(?)’ relationship with Lissner’s toy conductors after La Scala’s Lissner failed in Salzburg on May 19, 2009 (… after failing in Berlin…)
(…) BLA-BLA-BLA (…)
(Updated on JUNE 20, 2009) – It was posted on Jun 22.
(…) BLA-BLA-BLA (…)
AND… I am still waiting for Interviews by La Scala’s Owners: “DANIEL BARENBOIM PLANNED EVERYTHING!”
(…) BLA-BLA-BLA (…)
(Updated on JUNE 22, 2009)
(… Spanish Media diligently reporting their MEIER-project, while Berlin Pigs sticking around MICHAEL BARENBOIM…)
(… My report on Barenboim’s Nina Stemme and Flimm’s Karita Mattila…)
(…) BLA-BLA-BLA (…)
(Updated on JUNE 25, 2009)
(… My report on FACEBOOK: WALTRAUD MEIER…)
(…) BLA-BLA-BLA (…)
“Oper für alle” in Germany WITHOUT “Waltraud Meier” Jun 23, 2009 / By lifepr.de
(… My report on Meier’s ‘grand’ plan to make her Berlin Singers/Slaves cancel ALL Barenboim-schedules to ‘repeat’ Meier-history in ALL Barenboim’s headquarters…)
(…) BLA-BLA-BLA (…)

By the way, ‘STAATSOPER FUER ALLE’ is not something-NEW. And BERLIN MAYOR is now impotent. He just wants to finish his era as safely as possible. And then, BUNDESKANZLERIN has given up her Bankrupt Bundeshauptstadt long ago. (What is the right word for impotent female? Thanks to my poor English, I can’t call Ms. Merkel impotent! *.*)

🙂 From Germany-Heldentenor > JIWON: Dear Berlin Mayor / Israel / Palestine, FINALLY… Aug 29 – Oct 6, 2008
JIWON: (…) I am afraid that this mail is going to be too long, again. So, I am going to write my main subject first and return to the starting point.
1. & 2. BLA-BLA-BLA
3. However… I have a new business with Ms. Merkel. In my mail, Dear European Countries (WEDO in Europe, From Aug 13, 2008 to Present), I will write exactly WHO wanted to help Hamas in this case, Schalit Is Still Alive… (Regarding Hizbullah/Schalit-Deal, From Jun 13 to Present). Until now, I tried not to criticize German officials on this subject and just called them European officials.
4. Barenboim will be the first one, who welcomes my request. It was from Barenboim’s interview: “Das ist eine wunderbare Gelegenheit, ohne künstlerische Kompromisse ein noch größeres Publikum zu erreichen.”
5. Tomorrow, I will SPAM http://www.bmw.com/groupsites.html. Please check Meier’s dress-code at Daniel Barenboim Press Conference. I promise. Mr. Schroeder and his wife Kathrina will love to watch Meier’s NUDE show. Please let me know if there’s any problem with this mailing business.
(…) 3. I had to start this mail with the name of German Chancellor, Angela Merkel. This Beethoven concert is sponsored by BMW. How come this can be under the auspices of German Chancellor? This project, “STAATSOPER FUER ALLE” was so successful that Waltraud Meier wanted to steal it with the help of WEDO members. Then, Meier appeared at Daniel Barenboim Press Conference in a special dress-code, which was not to seduce Barenboim but to show him how much her fame is loved by Barenboim’s BMW friends. (…)

VERY FUNNY IS THAT after my ‘spamming’ his company and all his employees less(!) than a year ago, this German guy, Berliner BMW-Chef, still doesn’t remember my name. Is this guy really a ‘wunderschoenen’ businessman, ‘Auto-Sales-Person’ and ‘Once-The-Youngest-Branch-Manager-At-BMW’ in particular?

Interview mit dem Berliner BMW-Chef Hans-Reiner Schröder Perhaps after August, 2008 / By German Media
(…) Der Mann, der damals diese gigantische Idee hatte, war Hans-Reiner Schröder. Heute ist der Bayer Chef der BMW Niederlassung in Berlin und bringt mit seinen Ideen die Hauptstadt in Schwung. (…) Er ist heute noch seinen Eltern dankbar, dass sie ihn so lebenstüchtig erzogen haben. „Egal, was ich wollte, es hieß: ‚Du bekommst es von uns, aber die Hälfte musst du dir dazu verdienen!“ (…) Schnell wußte er: 1. Autoverkauf und 2. Service gehören eng zusammen, also „wenn ich das Auto verkauft habe, beginnt erst die Arbeit. Ich muß den Kunden pflegen und darf ihn nicht aus den Augen verlieren!“ (…) Das ist unter anderem eines der Erfolgsgeheimnisse des Netzwerkers: Er verliert niemanden aus den Augen.
(…) Schröder: „Meine Hauptaufgabe ist, in Berlin Autos zu verkaufen!“ Aber er will BMW noch mehr präsentieren und durch sein Engagement im Sponsoring, im kulturellen wie im sportlichen Bereich, weiter vorankommen: „Ich bin fest davon überzeugt, dass Berlin eine der größten, wenn nicht die größte Metropole Europas wird”.
(…) Die gestandene Persönlichkeit sieht all seine Aktivitäten immer im „Einsatz der Marke!“ (…) Aber sein Herz schlägt eben im BMW Takt. Der große Durchbruch gelang Schröder in Berlin von eineinhalb Jahren mit der Veranstaltung „Staatsoper für alle“, mit dem ein neues Highlight im Kulturkalender der Stadt geschaffen wurde. Die Veranstaltung lockt seitdem jährlich an zwei Tagen über 40 000 Besucher zur Opernübertragung und zum Open-Air Konzert an den Bebelplatz. Schröder: „Das ist unser Geschenk an alle kultur- und musikbegeisterten Bürger und natürlich an unsere fast 2.600 BMW Mitarbeiter.
(…) [Media: Wie lautet zur Zeit Ihre Langzeit-Prognose für den Berliner Automarkt?] – Schröder: Langzeitprognosen sind derzeit schlecht möglich. Wir fahren auf Sicht und passen alle Maßnahmen den Umständen und Entwicklungen an. Ich hoffe, dass – durch die Anstrengung aller – die Marktentwicklung im kommenden Jahr wieder ins positive dreht. Langfristig bin ich mir sicher, dass es wieder aufwärts geht. Nach jedem Regen kommt auch wieder Sonnenschein.
(…) [Media: Herr, Schröder, was gefällt Ihnen an Berlin besonders?] – Schröder: 1. Staatsoper für Alle 2. Preis der Nationalgalerie für junge Kunst. 3.Vielfalt von Kulturen und Menschen. 4. Die Aufbruchstimmung bei Allen, die nach Berlin kommen. Und was nicht? Das nasse Wetter im Winter

SPEECHLESS…
Why should I contact this German guy again, even if he is the Berliner BMW-Chef sponsoring Barenboim’s Staatsoper? Look at his wife. Waltraud Meier is definitely NOT his favorite type of female. Last year, he was not quite happy at the relatively poor result, (number of visitors/customers), from Meier’s involvement in Fidelio and he is now expecting this year’s Meier-Scandal to help his business, if not boost due to economic crisis. What’s more… According to his interview, this multiple business mind even knows what will happen during my BERLIN-project:
“Langzeitprognosen sind derzeit schlecht möglich.”

Perhaps, I should contact his three men just to prove my diligent hard working and say HELLO. Then, I could encourage his love of German Culture more and more: BMW-Berlin: Assistentin der Geschäftsleitung, BMW: Business and Finance Communication, Marketing, and BMW: Spokesperson Cultural Communications.

CURIOUS…
What will his future attitude be like when he chances on Waltraud Meier at anonymous parties, (plural!), after reading all my report?

🙂 From Barenboim Loves the Knesset~ ^.* > Category: UN
🙂 Robert Serry (UN ME envoy): Normalization bla-bla-bla. Shalit’s Release bla-bla-bla. Hamas bla-bla-bla
Robert Serry: Normalization with Arab countries cannot take place without a complete settlement freeze Jun 30, 2009 / By Haaretz
(…) Robert Serry said that in response to a complete settlement freeze important Arab countries that do not have diplomatic relations with Israel could be expected to allow Israel to open interest sections and let El Al aircraft use their air space.
With regard to kidnapped soldier Gilad Shalit, Serry said negotiations for reconciliation in Gaza should bring about Shalit’s release as part of a prisoner exchange and the opening of the crossings between Israel and the Gaza Strip and the Rafah crossing, while renewing the work of European observers. Serry said it was “intolerable” that the Red Cross had not been allowed to visit Shalit.
(…) With regard to settlements, Serry said, “From a legal point of view there is no difference between settlements and outposts – the 4th Geneva convention sets out the international legal framework. We cannot change our position.”
(…) Serry also said that if Hamas wanted to achieve results it had to be involved in the creation of a new reality and that he expected to see steps on Hamas’ part. Serry also said there was de facto calm in Gaza and that Hamas was preventing attempts by extremists to renew the firing of Qassam rockets on Israel.

FINALLY,
This UN guy shares the same opinion with his colleague John Holms, UN Undersecretary-General for Humanitarian Affairs. Finally, every each word from this UN’s Middle East peace envoy sounds perfectly perfect. Though I really appreciate my computer work… TIRED.

01 =*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*

MAY 22, 2009
DEAR ITALIAN 81st PM SIVIO BERLUSCONI,
DEAR CULTURAL MINISTER SANDRO BONDI,

Please check
🙂 From Barenboim Loves the Knesset~ ^.* > Dear-Arab-Readers > Section: Egypt-Normalization
🙂 Barenboim’s Fist Visit to Egypt: Part 3A
🙂 Barenboim’s Fist Visit to Egypt: Part 3B
🙂 Barenboim’s Fist Visit to Egypt: Part 3C

Sigh… I am still writing. I will be able to finish it by next week. I still didn’t write ITALIAN PART.

Berlusconi Divorce Saga May Provide Relief to Struggling Media May 8, 2009 / Bloomberg
The verdict is clear on the winner so far in the divorce battle between Italian Prime Minister Silvio Berlusconi and his wife: THE NEWS MEDIA

You never know how much I thank Italian Hot Shot No.1 for blocking B*tch-articles during Bashkirova’s Italian tour. I am still working on this issue. Clearly… there was someone behind this performance schedule and it was planned after they read everything. They wanted to get rid of me… Especially in ITALY, someone enjoyed my computer work for his professional success in Milan and then wanted to get rid of me… in order to ‘own’ Daniel Barenboim for their professional business. No matter how long it takes, I’ll figure out. We’ll see.

Of course, I am clearly aware of my promise to Italian leader while contacting the German government. BTW, Barenboim interviewed days ago that he holds NO title at La Scala. What’s wrong with FOLKS reporting this information about principal guest conductor?

🙂 From Barenboim and La Scala > Additional Message to Italy
JANUARY 23, 2009
JIWON: I know Elena Bashkirova will boast her biggest smile when she appears in Italy. It means that La Scala sided with her after reading my Barenboim-message. I clearly remember how La Scala tried to keep back my work when I tried to send my Barenboim-message to all the participants in Italian Wagner Festival last summer. I promise. I won’t touch any of La Scala business. Barenboim’s Divan project will keep its pace and I won’t touch anything about it.
I promise. I will only castrate Daniel Barenboim and La Scala’s principal guest conductor will have to appear in his nude until his contract expires. (I really appreciate female members in your orchestra. They are the best-looking females so far. I am sure they will welcome my decision.)

Just in case, have you followed my work in Barenboim’s Egypt? Don’t you think I am doing a real terrific job for your La Scala and ITALY?

I am FINALLY on my way to German Government… more precisely to the City of BANKRUPT Berlin. I just stop by Italy. No special reason. Since I am tired out, I just needed time to laugh. I don’t have much time until next Monday, so I will write more after finishing Egyptian Part.

🙂 New York Times – Times Topics: Philadelphia Orchestra > Multimedia: The Fabulous Philadelphians

Could you please check Hungarian born American Legendary Maestro Eugene Ormandy, who appeared in Multimedia: The Fabulous Philadelphians?

This guy is one of icons in the Classical Music World and a dream model of all the conducting students. Don’t you think this guy just looks like American Silvio?

I’ve known this name and his PHILADELPHIA SOUND even before I learned Daniel Barenboim, but… OH MY… I couldn’t believe my eyes the moment I saw American Silvio in this Philadelphia archive.

Now, here is my concern.

Please look at the late days of Maestro Ormandy and compare his physical characteristics with that of today’s Italian prime minister. This very SILVIO disappeared from American Ormandy while it is still alive in Italian Berlusconi. In sum, I want to see this Italian guy live the longest life with the healthiest smile.

Please check
🙂 How come I can’t send my Barenboim-message to the READERS? (JIWON: I might change its title…)
How many guys are talking about Barenboim’s Mahler? How many comments have I read for ‘years’? I still remember ONE. It was from Chicago forum. (I don’t remember exactly where… perhaps Mahler forum?) I think the commenter was a female professional something. This is how she was descried… It was the most comical, but the most exact review about Barenboim’s Mahler. I’m still laughing whenever I recall the atmosphere in that forumites’ place. Some were furious(?) at Barenboim’s Mahler while some were hopelessly(?) defending Barenboim. She wrote anyway that listening to Barenboim’s Mahler is like she is having a sex without foreplay, nor with love, and that Barenboim had never enjoyed sex but just busy at pumping… (I don’t remember the exact sentence. It was like this…) With this comment, there was a sudden approval from both sides. I’m still laughing. What an American forum…

Somehow, I can’t help suspecting if Italian Silvio is a twin brother of Daniel Barenboim. I mean… ‘just busy at pumping…’ *.*

NEW book released: Priest to Catholic Couples: Nothing Wrong With a Steamy Sex Life
http://www.google.com/search?hl=en&q=MULTI+ORGASM

Anyway… LONG LIVE MR. SILVIO BERLUSCONI!

Sincerely yours,
JIWON

P.S.: The New York Times does NOT have a section, New York Times – Times Topics: La Scala Opera, whereas they DO offer New York Times – Times Topics: Metropolitan Opera. What do you think about this?

P.P.S.: I might write another message or edit this part.
Queen’s Berlusconi put-down creates a YouTube sensation

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